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July 4, 2009

MJ: Turista filma guarda real tocando Thriller [nothing i like better than a re-post i can't read, but thanks you bumped it up there, brazil!]

A filmagem, feita por um turista no último dia 1 de julho, mostra 40 soldados da banda militar real ensaiando sua versão de Thriller, de Michael Jackson, nas proximidades do palácio de Buckingham.

Segundo Andy Crick, do tablóide inglês The Sun, dezenas de turistas ficaram boquiabertos quando, no meio de um ensaio com músicas tradicionais, repentinamente os soldados começaram a tocar o sucesso de Michael, marchando numa formação em triângulo (no lugar das tradicionais filas) que lembrava os passos de zumbi celebrizados do clipe de Michael Jackson.

A mais antiga e mais conhecida banda militar vem praticando o número nos últimos dois meses. Um porta-voz informou que a música faz parte do repertório de verão da banda para alguns eventos. “Foi apenas uma coincidência, não um tributo a Jackson”, disse o assessor.

O fato é que a “apresentação” ocorre apenas uma semana depois de a mundialmente famosa banda ter assinado um contrato de 1 milhão de libras com a gravadora Universal Music.

Jackson 5 cartoon - I Want You Back

The Jackson 5ive was a Saturday morning cartoon series produced by Rankin/Bass from 1971 to 1973; a fictionalized portrayal of the careers of Motown recording group The Jackson 5. The series was animated mainly in London at the studios of Halas and Batchelor, and some animation done at Estudios Moro, Barcelona, Spain. The director was Spanish-American Robert Balser.

Other than appearing in the introduction, the actual Jackson brothers themselves—Jackie, Tito, Jermaine, Marlon, and Michael—were unable to contribute to the show in any way due to scheduling conflicts. Only their music was used. A specially recorded medley of four Jackson 5 #1 hits—"I Want You Back", "The Love You Save", "ABC", and "Mama's Pearl"—served as the show's theme song.

Like most animated comedies of the time, The Jackson 5ive contained a laugh track. The show debuted on September 11, 1971 and ran for two seasons on ABC.
A scene from Rankin/Bass's The Jackson 5ive Saturday morning cartoon.
A scene from Rankin/Bass's The Jackson 5ive Saturday morning cartoon.

Jackson 5ive Cartoon

Fred Flinstone Roy Clark Ice Revue ©1977 Hanna-Barbera Productions, Inc. Part 1 of 5

©1977 Hanna-Barbera Productions, Inc.

Hanna Barbera Presents All-Star Comedy Ice Revue Part 1 of 5

Hanna-Barbera's favorite animated stars come to life in a celebrity roast for Fred Flintstone on his birthday featuring Yogi Bear, Jabberjaw, Huckleberry Hound, Scooby-Doo, The Banana Splits, Hong Kong Phooey, Quick Draw McGraw, Snagglepuss and The Hair Bear Bunch. Taped at the Bakersfield Civic Auditorium in Bakersfield, California.

Once again, thank you TopCatChannel01!

Fred Flinstone Yogi Bear Jabberjaw Huckleberry Hound Scooby-Doo The Banana Splits Hong Kong Phooey Quick Draw McGraw Worst of the Worst of the Worst... of the Worst

In my ongoing mission to torture Beware of the Blog readers with insufferable nineteen seventies kitsch I have sunk to a new low. I would have sunk to this earlier but this did not hit the internet until this week. I thought it could get no worse than The Brady Kids - Wonder Woman crossover. I was wrong. Roy Clark, jonesing for even more stomach-churning hokum than Hee-Haw could offer, called up the chick from One Day at a Time to help host a roast and celebration of Fred Flintstone. Not the real Fred Flintstone but one in a giant foam outfit. Along for the ride, defying all stone-age continuity, are other Hanna-Barbera characters in oversized cloth forms : Jabberjaw, The Banana Splits, Snagglepuss, Hong Kong Phooey, The Hair Bear Bunch and on down the line. The laugh track seems to be enjoying itself immensely (although if you listen closely you might hear a bit of a retch track). This is truly the worst thing I have ever seen - and although I appreciate the absolute awfulness of it all - even I can't bring myself to watch ALL FIVE PARTS that are on YouTube. Oh - one minor detail I forgot about. It is, of course, ON ICE.

Jerry Lee Lewis + Jack Good + Shakespeare= 'Catch My Soul' MOISTWORKS [MP3s Disabled]



 
Thursday, August 17, 2006
 
ACT II SCENE I
ACT II SCENE III
Jerry Lee Lewis
Othello
Unreleased c. 1968

Here's Jerry Lee Lewis's Iago, which comes to us courtesy of a Rock and Roll Othello Jack Good dreamt up after seeing Lewis in 1958, and finally staged a decade later. The relevant passage from Nick Tosches's terrific Hellfire:
Good and the rest of the crew were surprised to discover that Jerry Lee was the only actor who knew all his lines at the first rehearsal. "I never thought there was so many words," Jerry Lee later told a Los Angeles Times reporter. "This Shakespeare was really somethin'. I wonder what he woulda thought of my records."

On opening night, and on every night following, Jerry Lee stole the show. He prowled the stage, speaking Shakespeare's poetry in perfect meter, but with no concern to conceal or even to temper his own Louisiana accent. The bright green-and-gold grand piano stood onstage throughout the play, and Jerry Lee not only sat at it to pump the songs that Ray Pohlman had written for him and for the seventeen-piece orchestra in the pit, but also to rake and hammer and tinkle in punctuation of his spoken lines, the most evil of Shakespeare's imaginings. (He fooled with the lines occasionally, as on two evenings, coming upon the corpse of Roderigo in Act V, he howled "Great balls of fire! My friend, Roderigo!")

Theatre critics did not respond very favorably to the show, but most of them expressed praise, even awe for Jerry Lee's virtuoso performance. The Christian Science Monitor called him a "Louisiana-born genius" and a "unique Iago." The critic for theToronto Daily Star, before going on to damn the show, wrote that "Jerry Lee Lewis is genuinely diabolical as Iago. It is astonishing what new implications of evil he can find in words as simple as 'Go to, very well, go to.' Word spread and the theatre filled, night after night, with those eager to witness this wild, redneck Iago, this man, banished ten years ago, barely remembered, now bearing fire anew, hissing at them in unforgiving wrath....
According to Tosches, Lewis identified completely, and sprinkled Iago's monologues in among his encores for years to come. America's Klaus Kinski, on Jesus tour.

NB: Here's what JLL had to say about life on his great-grandaddy's plantation: "He'd take his fist, hit a horse, knock that horse to his knees. A hell of a man, Old Man Lewis. Then they turned all the slaves loose."

NRBQ: A few more tracks. First, a little argument JLL and Sam Phillips had, a minute or two before recording "Great Balls of Fire." Next, an old favorite from the latter-day Sun sessions. And, finally, two songs from Lewis's performance/public exorcism at Hamburg's Star Club, c. 1964 - though for all I know (and you'll read different in the comments, below), he played like this every night....
MOISTWORKS : AN MP3 BOOMBOX

JACK GOOD and Jerry Lee Lewis 'Catch My Soul' Shakespeare's Othello [Jerry Lee plays the singing Moore - Iago]

JACK GOOD

 

Jack Good was the man who revolutionised music on television. Good really brought rock ‘n’ roll to the teenage television audience in Britain in the late fifties and early sixties and launched the careers of several artists including Tommy Steele, Cliff Richard and Marty Wilde.

 

Good was born in Greenford, Middlesex on 7 August 1931. He was involved in amateur theatricals, studied for a time at the London Academy of Music and Dance, dreamed of becoming a Shakespearian actor and when attending Balliol College in Oxford, he formed a drama society there. For a time he also appeared as a stand-up comic. He married German student Margit Tischer in 1955.

 

In 1957 he went to work for the BBC and the music programme ‘Six-Five Special, produced by Josephine Baker. He talked her into letting him co-produce the shows with her and introduced more music, particularly featuring new performers such as Tommy Steele.  The programme had twelve million viewers. He wanted more teenage appeal and less sports and general interest in the programme and was so frustrated at not having a free hand that he left his £18 a week job with the BBC to join ITV and launch ‘Oh Boy’, an exciting weekly rock ‘n’ roll show, based at the Hackney Empire. The series was a sensation and introduced performers such as Cliff Richard, Billy Fury, Vince Eager and Dickie Pride, with vocal backing from the Vernons Girls.

 

‘Oh Boy’ was an exciting, fast-paced show that dazzled audiences, the first genuine rock ‘n’ roll show and one which actually presented rock ‘n’ roll in all its glory.

 

Apart from promoting British artists such as Cliff Richard, Tommy Steele and Adam Faith, he was the first to introduce American artists such as Buddy Holly and Gene Vincent to the British public. In fact, he was to completely change Vincent’s image. When he arranged to collect Vincent at Heathrow Airport, Good was so disappointed to see a rock ‘n’ roll idol dressed simply in checked shirt and jeans that he took him in hand and had him dressed entirely in black leather – an image based on Richard 111. He also said that Vincent should emphasis his disability, caused by a motorbike accident, and wear a calliper on his leg and start limping!

 

Good knew music, knew artists and when EMI were issuing Cliff Richard’s single ‘Schoolboy Crush’, it was Good who talked them into flipping the record and promoting the B side ‘Move It’, the record which established Cliff in  Britain. Good also produced Billy Fury’s breakthrough album ‘The Sound of Fury’

 

Following ‘Oh Boy’, he launched another rock series in 1959, ‘Boy Meets Girl’, which helped to establish Marty Wilde and followed up the next year with yet another series, this time called ‘Wham!’

.

In 1960 he left for America deciding he wanted to be an actor and appeared as Lieutenant Stebbings in the Cary Grant film ‘Father Goose’ and Mr Hathaway, manager of Shores Hotel in the Elvis Presley film ‘Clambake.’

 

Brian Epstein wanted him to produce a Beatles special, so he returned to London and directed ‘Around the Beatles’ in 1964.

 

Good had wanted to become a serious actor but could only find bit parts in films and TV shows in America (Captain Henderson in ‘Hogan’s Heroes’, Sidney Cruikshank in ‘Run For Your Life’ and an auto salesman in ‘The Andy Griffith Show’), so he decided to return to rock ‘n’ roll and launched ‘Shindig’ for the ABC network in America. Apart from artists such as the Beatles, Roy Orbison and the Everly Brothers, he wanted to feature some of the brilliant black artists whose music he admired, but who had few outlets on American television. The station bosses battled with him to prevent this, but he threatened to report them to the Attorney General, Bobby Kennedy and they backed down. As a result he was the first to bring Aretha Franklin and Tina Turner to the screen and also promoted artists on the programme such as Sam Cooke, Jackie Wilson and the Miracles.

 

His major love was still the theatre and in 1968 he produced and wrote ‘Catch My Soul’ a rock version of ‘Othello starring Jerry Lee Lewis as Iago, which he staged in Los Angeles. He then produced it in London’s West End with P.J. Proby as Iago and himself, blacked up, as Othello. He was to produce a film of ‘Catch My Soul’ in 1974 starring Ritchie Havens.

 

In 1969 he returned to television with ‘33 1/3 Revolutions Per Monkee’, which he also wrote and produced. He was also to produce specials on artists such as Andy Williams and another television rock show featuring Ray Charles, Jethro Tull and the Nice

 

His life changed when he was the subject of a ‘This Is Your Life’ show on 18 March 1970. A former college tutor of his appeared and said “Jack Good could have done anything.” Good recalled, “I thought, ‘what have I done?’ I have destroyed and corrupted the youth of this country and corrupted myself too. I have failed because I have not done anything useful to improve people’s lives.”

 

Good then went to Spain and taught himself how to paint. He hadn’t entirely turned his back on the stage and rock music, despite his misgivings, and was to direct a West End production of ‘Elvis’ in 1977 at the Astoria Theatre, featuring artists such as P.J. Proby and Shakin’ Stevens.

 

Discussing his attitude to music on television in 1981, he said, “I hate light entertainment shows and I hate smart looking fellows in dinner jackets saying, ‘Good Evening ladies and gentlemen and welcome to…blah, blah, blah…and it goes on!

 

“I just want Wham Bam De Boo Bop, Do Wop Bam Boo. Tutti Fruitti…then next number, next number…and bored with that…next number!”

 

He next moved to New Mexico with his wife and children. When his marriage broke down in 1987 he considered becoming a monk. He seemed to become more and more involved in religion and also became a Catholic.

 

In the Nineties, British actor Greg Wise portrayed Good in the West End musical ‘Good Rockin’ Tonight.’ Intrigued by the character, he set off in search of him. He discovered Good living in an adobe chapel in New Mexico, dressed in monk’s robes and painting religious pictures, inspired by the Bible. He wanted to know why Good had turned his back on the pop scene to become a hermit and began to interview him and film him over a period of years, resulting in the television documentary ‘A Good Man Is Hard To Find’, screened on BBC2 on 16 January 2005.

 

After living for many years in New Mexico, Good finally returned to England.