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Showing posts with label Country. Show all posts
Showing posts with label Country. Show all posts

June 24, 2012

Replacements - Safety Last (Twin/Tone 1981)

Replacements - Safety Last (Twin/Tone 1981)

The start...

In 1977 the rock music scene in Mpls./St. Paul, like a handful of other cities across the country, was erupting with bands. A couple of local guys, Paul Stark - an engineer/producer and a musician by the name of Chris Osgood, discussed starting a label to record some of these bands. They had already worked together on two audacious 45s by Chris' band The Suicide Commandos and were eager to take on a larger challenge. Looking for a third partner they approached Charley Hallman for both his enthusiasm and some necessary financial assistance. Charley's day job was writing about sports for St. Paul's daily paper The Pioneer Press but he also moonlighted as a rock critic and wanted to dabble further in the music biz. As the three began to formalize plans The Commandos accepted a major label offer from Phonogram's Blank Records and Chris suggested that I take his place. Being manager at the record store Oar Folkjokeopus and deejaying at underground night spot The Longhorn I had a pretty clear view of what was happening. In January of 1978 Paul, Charley and I formed a partnership. The objective being to record the best bands in town. We decided on the name Twin/Tone Records.

Preceding Twin/Tone and the catalysts I'm about to spell out below the scene was primarily dominated by top forty cover bands and the white blues and folk of the West Bank. The group that bridged those scenes and the one about to begin was called Thumbs Up lead by Curt Almstead and Gary Rue. They were mostly a cover band too but not the standard commercial fare of the day. They were into the British Invasion, the American Pop spawned by it and the creme de' la creme' of classic Rhythm & Blues.

And, for starters, there were four things that made Twin/Tone possible:

  1. Band: The Suicide Commandos
  2. Record store: Oar Folkjokeopus
  3. Music journalist: Andy Schwartz
  4. Live venue: Jay's Longhorn

To me, Chris Osgood (leader of The Commandos) is probably the most important rock person in Twin Cities music history. He was a catalyst and he invented something; he made it cool to be a rocker AND a smart guy. And that's what he bred, directly or indirectly. Paul Westerberg, Steve Almaas, Gary Louris, Steve Kramer, Chan Poling, Mark Freeman, Danny Murphy, Dave Pirner, Grant Hart, Bob Mould and countless others.The band was ahead of it's time with original material in a fast and furious (and often funny) style. When the 1st Ramones record came out we all thought "Cool, someone else is doing what The Commandos are doing!" They literally cut a path where there hadn't been one before and toured nationally when tour stops were few and far between. "New York, Cleveland, Denver and Los Angeles was about it" says bassist/singer Steve Almaas. "Cleveland because of Pere Ubu and Denver because of the original Wax Trax Record Store." I think local musicians today who've never even heard The Suicide Commandos owe them a great debt.

Oar Folkjokeopus was much more than just a record store - even if I do say so myself (I helped run the joint from '72 - '83). Record collector Vern Sanden bought what was already one of the best stores in town, North Country Music, and changed the name to reflect his obsession with the cool and obscure (Oar was a solo album by Alexander Spence -original Jefferson Airplane drummer/Moby Grape founder, guitarist and Folkjokeopus was an album by eccentric British folk singer Roy Harper). Vern allowed it to become a clubhouse for musical misfits of all kinds. The ad in the yellow pages read "Rock 'N' Roll Headquarters For The Midwest" and that was no exaggeration. It was the first store in the area (we used to have people regularly driving up from Chicago for instance) to stock an eclectic inventory of hard to find imports and domestic indie labels well in advance of the punk rock explosion of '76-'77. But the store didn't just cater to the underground. There was a broad selection from the fifties to the commercial fare of the day. We even moved a lot of disco records in our day! It was a hang for diehards like Steve Almaas and Ernie Batson. Gary Louris, Dave Pirner and Marty Keller. Tony Glover and Bob Stinson. Can't resist an anecdote here: little known fact - Bob was a voracious reader of all things rock and could often be found sitting on the bench in the window on 26th Street absorbing magazines and biographies in his singular way. After reading an interview with Little Richard in the NME he remarked to me that he hadn't known rock 'n' roll began "in a gay camp." When I looked at the story myself Richard was quoted as saying that a lot of rock 'n' roll's mannerisms and theatricality had stemmed from gay camp. Bob's brain just worked differently from anyone else I'd ever known. It was always a blast to have him around. Anyway, the store was more than just a hangout. The bookers from The Longhorn and later Duffy's and 1st Avenue/7th Street Entry rarely booked a show without bouncing it off someone at Oar Folk. How many people could they expect? How much should they charge? Who would be a compatible opening act? Should they do more than one night? I'll never forget in 1979 Hartley Frank (who took over the club after the former owner went to jail!) calling me one day at the store saying he had been offered a band from England he thought he'd heard us raving about called The Only Ones and, sensing they were "big, " he had tentatively asked for two nights. Selfishly I told him that yes we absolutely had to have them more than one night when one would've easily been sufficient. Luckily, the core audience of a hundred or so were happy to pay to see them both nights so the club didn't do too badly! And, the importance of the location of the store cannot be underestimated - the corner of 26th and Lyndale in south Minneapolis. Now legendary bar The CC Club was kitty corner. Vegetarian restaurant The Mudpie was next door. Everybody lived in the 'hood. I know people even moved there to be part of it. It was once referred to as "the Haight-Ashbury of The Twin Cities. " We used to joke that if a bomb was dropped on that corner it would've wiped out 90% of the local music scene!

Seth Andrew Schwartz (Andy), was from NY, went to school in Beloit, Wisconsin and ended up living in Mpls from fall of '72 to fall of '77. He was the first of many visionary local journalists. He wrote the first serious dissertation on The Commandos, had the first Ramones record before ANYBODY and was a walking encyclopedia of music present and past. He worked the counter at Oar Folk from '75 - '77 and sang and played guitar with excellent cover band Rockola. Andy went on to found The New York Rocker magazine and currently works at Epic Records as a Director Of Editorial Services.

The spot for live music was downtown on Hennepin and Fifth Street underneath a parking garage. It opened in 1977 and was called Jay's Longhorn run by one Jay Berine. It probably held 250 comfortably and there was core of 50 -75 people who came nearly every night for the first year or more. The first National act as I recall was Mink Deville but the list is endless; The B52s, Pere Ubu, Charlie Burton and Rock Therapy, Talking Heads, Blondie, The Boomtown Rats, The Police, Richard Hell And The Voidoids, The Dead Boys, Rockpile, Elvis Costello, The Buzzcocks, The Only Ones, The Stranglers, Shoes, and (Fred Smith's) Sonic's Rendezvous Band. The top of the local pops was split between The Suicide Commandos, Flamingo and Curt Almstead.

- to be continued...

TRACKS MP3 Sample
Let's Talk About It (sample)
Baby Blue Rock (sample)
Red Rocket (sample)
Mad At You (sample)
Completely Sweet (sample)
Morse Code (sample)
The One You Love (sample)
Struck By love (sample)
Tough Luck Daddy (sample)
I'm A Cat Alright (sample)
5-10-15 Hours (sample)
Anyone But You (sample)
I've Got Love (sample)
Rhythm It Up (sample)


Sheerfilth06
Produced by Paul Stark and Safety Last
Basics and mixing with Paul Stark via the Stark/Mudge Mobile Unit
Overdubs with Steve Fjelstad at Blackberry Way
Mastered by Howie Weinberg at Masterdisk

Rusty Jones
Gary Louris
Lianne Smith
Jimmy T


Released by Twin/Tone Records September 12, 1983. The project sold 1,300 vinyl copies and is "out of print."


 logo - Twin/Tone Records


last updated - June 2011

 

Between 1977 and 1994, Twin/Tone Records released over 300 records. The first project to be released on the Twin/Tone label was a nine song 7" EP (on red vinyl) by The Suburbs in April of 1978. The last project to be released on the Twin/Tone label was a live Suburbs CD released in November of 1994. During this time we worked with over 100 bands and 11 indie labels. We helped over 25 of the bands go on to major labels. We currently do not sign any bands, nor release any new projects.

Today the label is in "moth balls," finding the traditional physical CD market very unfriendly to indie labels, we wait for the alternative that digital delivery promises (hopefuly sooner than later)... Meanwhile, we have licensed some of our bigger projects (The Replacements, Soul Asylum, Ween, The Jayhawks...) to Restless Records which is owned by Ryko/ Warner Brothers. Many of our titles are available via the iTunes store or as custom burned CDs. We are making catalog items on a weekly basis.

Click on "iTunes" (left column) to see what is available in the Apple store

Click on "Vinyl" (left column) to see what original vinyl pressings are still available

At this site, browse around and visit some of the musical history made by this Minneapolis label over the past 25 years. Most of this site is being added to (under construction), the materials needed to place on the pages are in many cases long gone and it takes time to track them down.


Safety Last


project mini Safety Last
released: 1982
Twin/Tone Records - TTR 8124
(vinyl)

project mini Struck By Love
released: 1983
Twin/Tone Records - TTR 8334
(vinyl)

Mini of Project

Safety Last
Struck By Love
Twin/Tone Records
TRG 8334 (1983)

(custom burned CD available)

 

Uploaded by on Feb 22, 2010

During the first week of September 1981, Twin/Tone took the mobile recording unit and rented a bunch of video gear and recorded 15 bands live (five nights) at the 7th Street Entry in Minneapolis... These movies are from the show on September 5th. The band had released "Sorry Ma..." earlier in the year and were already working on future projects. These clips are presented as they were recorded live... in set order and very much with the tuning that troubled the night. The Replacements were the middle band of three (Husker Du closed the show) and played two 25 minute sets.

Part 2 - - Kids Don't Follow - D.E.A.D. - Love You Till Friday - Raised In The City - Shutup

 


Part 3 - - Johnny's Gonna Die - Kick Your Door Down - Dope Smokin Moron


Part 4 - - Skip It - Maybelline - I Hate Music - Stuck In The Middle


Part 5 - - Otto - I'm In Trouble - Don't Ask Why - Customer


Part 6 - - Rattlesnake - Slow Down - Hey Good Lookin'


Replacements - Safety Last (Twin/Tone 1981) The start... In 1977 the rock music scene in Mpls./St. Paul, like a handful of other cities across the country, was erupting with bands. A couple of local guys, Paul Stark - an engineer/producer and a musician by the name of Chris Osgood , discussed starti ... » See Ya at » What Gets Me Hot

June 19, 2012

OUR FAVORITE BAND (WITH MICHAEL STIPE) SATURDAY NIGHTS $20.37

 

OUR FAVORITE BAND (WITH MICHAEL STIPE) EXCELLENTYellow shooting star icon for feedback score in between 10,000 to 24,999 SATURDAY NIGHTS $20.37 LP USA 1987

ARTIST: OUR FAVORITE BAND
TITLE: SATURDAY NIGHTS
OUR FAVORITE BAND SATURDAY NIGHTS LP USA WITH INNER 198
FORMAT: LP
EXTRA INFO: WITH INNER 1987(WITH MICHAEL STIPE)
Bp6whqwkkgrhqmokieeuy2vdzfzbltbebmkzq_3

LABEL: BIG TIME
Bugqkmkkgrhquokm4evyfnjv2bl-6hcjg1g_3

CATALOGUE NO: 6041-1-B
COUNTRY: USA
Kgrhqjie4tw17qbowo7973w60_1

CONDITION IS: EXCELLENT

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Item condition: --
 
Time left: 29d 02h (Jul 18, 201205:50:42 PDT) 
 
Price: GBP 13.00 
Approximately US $20.37
Buy It NowBuy It Now
 
   
   
 
 
 
Shipping: GBP 4.00(approx. US $6.27) Royal Mail Airmail (Small Packets)  

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June 18, 2012

Honoring a man discovering Lucy Foley

Honoring a man, discovering Lucy Foley

Listen to this show:  Pop‑up player! |

4_b_945594

Artist Track Album Label Format Approx. start time
Charles Mingus  The Chill of Death   Let My Children Hear Music  Sony Legacy    0:00:00 ( Pop‑up )
John Hollenbeck  The Drum Major Instinct   No Images  CRI    0:07:21 ( Pop‑up )
Mahalia Jackson  Trouble of the World   16 Most Requested Songs  Columbia/Legacy    0:32:06 ( Pop‑up )
 
Empire Jubilee Quertet  Wade in the Water         0:42:43 ( Pop‑up )
Aaron Neville  Oh Freedom   I Know I've Been Changed  Tell It Records    0:45:36 ( Pop‑up )
Gabriela  Hay Senales Claras   Viento Rojo  Intuition    0:49:35 ( Pop‑up )
Gabriela  Ecos De Alla Atras   Viento Rojo  Intuition    0:54:50 ( Pop‑up )
Sandy Denny  Lady   Sandy  A&M Records    0:58:21 ( Pop‑up )
 
Music behind DJ:
R. Carlos Nakai 
  Earth Spirit  Canyon Records    1:02:20 ( Pop‑up )
 
3_b_1205063
Live Performance by Lucy Foley
 
While living in Copenhagen, Irish singer/songwriter Lucy Foley cycled past the grave of Hans Christian Andersen every day, inspiring her to write songs in which people sit on dungheaps and gaze, yearn and fall apart. Lucy's music is also really poppy. Foley visited the US for a show at Pianos on January 21st, and dropped by to play live with her band on Irene’s WFMU show.
Lucy Foley  Making Circles         1:05:51 ( Pop‑up )
Lucy Foley  That Pleasant Smile         1:13:12 ( Pop‑up )
Lucy Foley  Mr Bogeyman       CD  1:23:20 ( Pop‑up )
Lucy Foley  Kiss You Free         1:28:06 ( Pop‑up )
Lucy Foley  On the Stairs         1:36:22 ( Pop‑up )
Lucy Foley  Garden of Second Guesses         1:45:15 ( Pop‑up )
Lucy Foley  It's a Tangle         1:50:08 ( Pop‑up )
Slapp Happy  Casablanca Moon   Acnalbasac Noom  ReR    1:53:08 ( Pop‑up )
Phil Ochs  Pleasures of the Harbor         1:56:01 ( Pop‑up )
Hubert Laws  Ashanti   Wild Flower  Atlantic    2:04:34 ( Pop‑up )
The Charles Lloyd Quartet  Dream Weaver   Dream Weaver  Atlantic    2:10:25 ( Pop‑up )
Jason Moran  Play to Live   Ten  Blue Note    2:21:51 ( Pop‑up )
Bill Evans  Re: Person I Knew   The Bill Evans Album  Columbia/Legacy    2:26:14 ( Pop‑up )
 
Music behind DJ:
R. Carlos Nakai 
  Earth Spirit      2:33:29 ( Pop‑up )
Yungchen Lhamo  Fade Away   Ama  Real World Records    2:40:10 ( Pop‑up )
Hollins and Starr  Stayin' High/ Sidewalks Talkin'   Sidewalks Talkin'  Ovation Records    2:46:33 ( Pop‑up )
Orpheus  To Touch Our Love Again   The Very Best of Orpheus  Varese Sarabande     2:52:25 ( Pop‑up )
Marc Black  Red Lite   Pictures of the Highway  Suma Records    2:55:35 ( Pop‑up )
 
Music behind DJ:
R. Carlos Nakai 
  Earth Spirit  Canyon Records    2:59:27 ( Pop‑up )

4_b_503540
Listener comments!

Mon. 1/17/11 12:31pm v k:

good afternoon Irene - hope all's well - enjoying this jazzed-up speech -- here's to peace, acceptance and understanding on this MLK Day - growing up in Tenn. i had many occasions to walk by the Lorraine Motel in Memphis near Beale Street - was always powerfully sad

Mon. 1/17/11 12:33pm Sean Gostage:

Good evening, Irene, greetings from a damp, dark Bristol, UK

Mon. 1/17/11 12:34pm rosh:

listening to this speech set to Hollenback for the 1st time,amazing. thanks for taking the time to honor MLK Jr. in such a genuine & awesome way.

Mon. 1/17/11 12:43pm Marmalade Kitty:

Hi Irene, that was a truely awesome set

Mon. 1/17/11 12:45pm Looms:

I missed it, damn'it!

Mon. 1/17/11 12:59pm w:

This Gabriela stuff is great.

Mon. 1/17/11 1:38pm Looms:

This nice performance brings me back memories from a concert by The Nits. Just a matter of feeling.

Mon. 1/17/11 1:43pm Sheila Ryan:

So pleased that you are devoting all this time on the air to the wonderful Lucy Foley and her band.

Mon. 1/17/11 1:44pm Looms:

The Nits are a nice pop band from Amsterdam, quite well-known in Europe. They made their debut album in 1978.

http://www.nits.nl/nits/home.html

Mon. 1/17/11 1:45pm Looms:

And yes, these were kind words.

Mon. 1/17/11 1:46pm Davice:

Hi Irene - Great show today. I'm enjoying Lucy Foley.

Mon. 1/17/11 2:12pm Robert:

I get Phil Ochs mixed up wih Phil Oaks.

Mon. 1/17/11 2:36pm Peter K.:

Thanks for the jazz set, and the tribute to O.K. Thanks, in fact, for the whole show. Lucy Foley is pretty cool. And so are you!

Mon. 1/17/11 5:20pm mike ret tp:

sandy denny tune lady is a beauty.

Wed. 6/22/11 6:45am Raquel:

You are changing my life, Irene.

Gracias desde España!

 

Honoring a man, discovering Lucy Foley Listen to this show:  Pop‑up player! | Listener comments! Mon. 1/17/11 12:31pm v k : good afternoon Irene - hope all's well - enjoying this jazzed-up speech -- here's to peace, acceptance and understanding on this MLK Day - growing up in Tenn. i had many occasi ... » See Ya at » What Gets Me Hot

June 8, 2012

10-18 Anything for us?

Enough of the technical jargon......Now, how do you use CB radio?

On the CB there are several terms used. Most are used on 27MHz CB however, only some 10 codes are used on UHF.

The following codes are commonly used, the blue ones more common than others

Code Meaning
10-1
10-4
10-7
10-8
10-9
10-10
10-20
10-100
Receiving Poorly
Received
Out of Service, Leaving Air (you're going off the air)
In Service, subject to call (you're back on the air)
Please repeat
Transmission Completed, Standing By (you'll be listening)
Location, 'What's your 10-20?'
Toilet, 'I'm going 10-100'

Here is a fuller list of CB codes.

  • 10-1- Receiving Poorly
  • 10-2- Receiving Well
  • 10-3- Stop Transmitting
  • 10-4- Ok, Message Received
  • 10-5- Relay Message
  • 10-6- Busy, Stand By
  • 10-7- Out of Service, Leaving Air
  • 10-8- In Service, subject to call
  • 10-9- Repeat Message
  • 10-10- Transmission Completed, Standing By
  • 10-11- Talking too Rapidly
  • 10-12- Visitors Present
  • 10-13- Advise weather/road conditions
  • 10-16- Make Pickup at...
  • 10-17- Urgent Business
  • 10-18- Anything for us?

279_1000

  • 10-19- Nothing for you, return to base
  • 10-20- My Location is ......... or What's your Location?
  • 10-21- Call by Telephone
  • 10-22- Report in Person too ......
  • 10-23- Stand by
  • 10-24- Completed last assignment
  • 10-25- Can you Contact .......
  • 10-26- Disregard Last Information/Cancel Last Message/Ignore
  • 10-27- I am moving to Channel ......
  • 10-28- Identify your station
  • 10-29- Time is up for contact
  • 10-30- Does not conform to FCC Rules
  • 10-32- I will give you a radio check
  • 10-33- Emergency Traffic at this station
  • 10-34- Trouble at this station, help needed
  • 10-35- Confidential Information
  • 10-36- Correct Time is .........
  • 10-38- Ambulance needed at .........
  • 10-39- Your message delivered
  • 10-41- Please tune to channel ........
  • 10-42- Traffic Accident at ..........
  • 10-43- Traffic tieup at .........
  • 10-44- I have a message for you (or .........)
  • 10-45- All units within range please report
  • 10-50- Break Channel
  • 10-62- Unable to copy, use phone
  • 10-62sl- unable to copy on AM, use Sideband - Lower (not an official code)
  • 10-62su- unable to copy on AM, use Sideband - Upper (not an official code)
  • 10-65- Awaiting your next message/assignment
  • 10-67- All units comply
  • 10-70- Fire at .......
  • 10-73- Speed Trap at ............
  • 10-75 -You are causing interference
  • 10-77 -Negative Contact
  • 10-84 -My telephone number is .........
  • 10-85 -My address is ...........
  • 10-91 -Talk closer to the Mike
  • 10-92 -Your transmitter is out of adjustment
  • 10-93 -Check my frequency on this channel
  • 10-94 -Please give me a long count
  • 10-95 -Transmit dead carrier for 5 sec.
  • 10-99 -Mission completed, all units secure
  • 10-100 - Need to go to Bathroom
  • 10-200 - Police needed at ..........

Enough of the technical jargon......Now, how do you use CB radio? On the CB there are several terms used. Most are used on 27MHz CB however, only some 10 codes are used on UHF. The following codes are commonly used, the blue ones more common than others Here is a fuller list of CB codes. 10-1 - Rece ... » See Ya at » What Gets Me Hot

June 1, 2012

Nashville Scene Seen ( Japanese Modern Jazz Opera--YouTube)

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