OFB: 'Oh, Boy!' ["Everyday Is A Holly Day" 10 Inch ( 24 cm ) Doppel - LP - New Rose Records 175 - Stereo France - 1989 Doppel - LP - Buddy Holly]

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10 Inch ( 24 cm ) Doppel

- LP -

New Rose Record 175 - Stereo

France - 1989

Doppel - LP Klapp -

Cover Innenansicht mit Fotos und Beschreibungen aller Gruppen sowie Interpreten!

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Hier die A. Seiten - Label von der Doppel

LP mit allen Mitwirkenden und Titeln.

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Buddy Holly

• 10 Inch

• ( 24 cm ) DLP

• "Everyday Is A Holly Day"
  

• mit 22 Gruppen sowie Interpreten mit Songs von " Buddy Holly " im Klapp - Cover !

• Tonträger Art : 10 Inch ( 24 cm ) Doppel LP
• Titel - LP : " Everyday Is A Holly Day "
• Label Nr. : New Rose Records 175 - Stereo
• Erschienen : 1989
• Land : France ( Frankreich )
• Abspielgeschwindigkeit : 33 1/3 U/pM
• Zustand : Platten und Klapp - Cover sehr gut erhalten

!Mitwirkende

Elliot Murphy, Red River, Wille Alexander, Eddie Ray Porter, Lolitas, Chris Spedding, OFB, Leroi Brothers The Country Stars, LMNOP, Imitation Life, Tav Falco's Panther Burns, Shoes, Paul Roland, Ted & The Tall Tops, Speedy Sparks, Classic Ruins, Bruce Joyner, Chris Bailey, The Slicker Boys, The Brewers, Wampas

Besonderheit :

Die Songs wurden 30 Jahre nach dem Tod von " Buddy Holly " zu seinem Andenken mit dieser Doppel LP auf den Markt gebracht. Die Idee kam von " Roy Orbison " und " Mathew Mc Kenzie ". Die Bands und Interpreten haben alle in irgendeiner Art und Weise mit " Buddy Holly " zu tun oder kommen aus Texas und interpretieren ausschließlich die Top - Songs dieses einmaligen Rock' n Roll Künstlers der die Grundlage dieser erstklassigen Rock' n Roll Songs mit " The Crickets " gelegt hat.




Klapp

Cover Innenteil mit Abbildugen und Beschreibungen aller Gruppen und Interpreten!
LP 1

A. Seite :

1. Elliot Murphy " Everday " Elliot James Muphy : vocals, guitars, triangle * Ernie Brooks : bass - Art Labriano : piano, chimes * Jee Dee Daugherty : drums, hand clapsEnginereed by : JAB * Produced by : James A. Balland, Eliot Murphy

2. Red River" Rave On "Billy Ray Martin : guitar, vocal * Suzy Mae Martin : bass, vocal * T. J. Connelly : drums * Arhur Barrow : piano Recorded at : Low Tek Studios * Produced & Engineered : A. Barrow

3. Willie Alexander" Baby Won' t You Come Out Tonight "Willie Alexander : vocals, piano * Rupert Webster : Neil Thompson : bass * Bobby Bear : drums * Steve Adams : saxophones Recorded at : Lyx Music by Bob Winsor * Produced by : Erik Lindgren for Arf Arf Prod. guitar *

4. Eddie Ray Porter" Wishing " Eddie R. Porter : vocals, guitar * Leslie Rule : bass * Rick Vera : drums * Vudi : lead guitarRecorded at : Tom Mallon Recording SF, Ca. * Produced by : Tom Mallon

5. Lolitas" Not Fade Away "Francoise Cactus : vocals, drums * Coco : guitar, vocals * Olga : bass, vocals * Tutti Frutti : guitar, vocalsRecorded & Mixed at : Ardent Studios, Memphis, Tn. * Produced by : Alex Chilton

• 
  

• B. Seite :

1. Chris Speeding" It' s So Easy " Chris Speeding : vocals, guitar * Jody Beach : back up vocals Recorded at : Chung King Studios by Greg Gordon * Produced by : Chris Speeding * Courtesy of : Blue Light Records

• 
  

2. OFB
"Oh, Boy !

Maury O' Rourk : vocals, negotiations * Donald W. Spicer : guitar and slide guitar * The very special Guest is : Linda Gail Lewis, vocals

Doug Easley : guitar & solo guitar * Ron Easley : bass * Michael Radovsky : drums, tambourine

Recorded at : Easley Recording in Memphis Tn. * By : Steve Mc Craw & D. Easley * Produced by : Donald W. Spicer for Praxis International

Chisato Moritaka [森高千里]: 17才 [ベストテンでのミニスカート姿 なつかし アイドル 森高千里 ベストテン 17才]

Chisato Moritaka
[森高千里]
17才

なつかし アイドル 森高千里 ベストテン 17才

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Name :

JEAN PAINLEVE: ɒktəpʊsɪz (SURREALIST MATING) [Yo La Tengo Score: 4PD]

Image via Wikipedia

Science Is Fiction: 23 Films by Jean Painlevé
Jean Painlevé

315 min
Color & Black and White
1.33:1

Jean Painlevé’s “Ten Commandments”

Next week, we release a definitive, three-disc set of the short documentaries of Jean Painlevé (1902–89), the pioneering French scientist-educator-filmmaker (and sometime Dadaist) whose mesmerizing studies of marine life, especially, have been attracting wide audiences and new fans for decades (including the rock band Yo La Tengo, which regularly performs with the films, and whose eight-film score is included on the release). By way of an introduction to this truly unique artist, we present his “Ten Commandments,” originally published in the notes accompanying his touring “Poets of the Documentary” program in 1948. On first glance, they may seem simple enough, but once you’ve watched the films, many more layers of meaning will become evident. On the second commandment, for instance, “one might wonder how scientifically informed nature films can be said to express convictions,” film scholar Scott MacDonald muses in his essay for the release, “but it is precisely Painlevé’s implicit (and sometimes explicit) reasons for selecting the organisms he does and his manner of presenting them that reveal his attitudes.” Among those attitudes seems to be an interest in confronting conventional ideas about gender, MacDonald writes, evident in his films on sea horses (male and female collaborate on child birthing), daphnia (self-reproducing females), starfish (hermaphroditic), and the stunning AceraFantasia.”

Here are all ten of Painlevé’s filmmaking convictions, practiced over six decades and more than two hundred luminous films:

1. You will not make documentaries if you do not feel the subject.

2. You will refuse to direct a film if your convictions are not expressed.

3. You will not influence the audience by unfair means.

4. You will seek reality without aestheticism or ideological apparatus.

5. You will abandon every special effect that is not justified.

6. Trickery will be of no use unless the audience is your confidant.

7. You will not use clever editing unless it illustrates your good intentions.

8. You will not show monotonous sequences without perfect justification.

9. You will not substitute words for images in any way.

10. You will not be content with “close enough” unless you want to fail spectacularly. (bisexual), which, when mating, “do a kind of ballet during which the cloaks that encircle their bodies fly open, evoking tutus.” Painlevé’s film about these last creatures, notes MacDonald, is “reminiscent of moments from Oskar Fischinger films and from Disney’s

Jean Painlevé

(1902-89)
Going Beneath the Surface
Yo La Tengo
The Sounds of Science
[Original Score]

Probably no substantial dimension of film history has been so thoroughly ignored by American film critics, historians, and theorists as the nature film (or wildlife film): These short documentaries of Jean Painlevé (190289), the pioneering French scientist-educator-filmmaker (and sometime Dadaist) whose mesmerizing studies of marine life, especially, have been attracting wide audiences and new fans for decades

Surrealist-influenced dream works that are also serious science.

The French filmmaker-scientist-inventor had a decades-spanning career in which he created hundreds of short films on subjects ranging from astronomy to pigeons to, most famously, such marine-life marvels as the sea horse and the octopus.

The mesmerizing, utterly unclassifiable science films of Jean Painlevé (1902-89) have to be seen to be believed: delightful, surrealist-influenced dream works that are also serious science. The French filmmaker-scientist-inventor had a decades-spanning career in which he created hundreds of short films.

New and improved English subtitle translations from the eight-part television series, "Jean Painlevé: Through His Films"

Directed by Denis Derrien and Hélène Hazera

When OCTOPUSES reproduce, males use a specialized arm called a hectocotylus to insert spermatophores (packets of sperm) into the female's mantle cavity.

The hectocotylus in benthic octopuses is usually the third right arm. Males die within a few months of mating. In some species, the female octopus can keep the sperm alive inside her for weeks until her eggs are mature. After they have been fertilized, the female lays about 200,000 eggs (this figure dramatically varies between families, genera, species and also individuals). The female hangs these eggs in strings from the ceiling of her lair, or individually attaches them to the substrate depending on the species. The female cares for the eggs, guarding them against predators, and gently blowing currents of water over them so that they get enough oxygen.

The female does not eat during the roughly one-month period spent taking care of the unhatched eggs. At around the time the eggs hatch, the mother dies and the young larval octopuses spend a period of time drifting in clouds of plankton, where they feed on copepods, larval crabs and larval starfish until they are ready to sink down to the bottom of the ocean, where the cycle repeats itself. In some deeper dwelling species, the young do not go through this period. This is a dangerous time for the larval octopuses; as they become part of the plankton cloud they are vulnerable to many plankton eaters.

Phylum: Mollusca
Class: Cephalopoda
Subclass: Coleoidea
Superorder: Octopodiformes
Order: Octopoda * Subclass Nautiloidea: nautilus * Subclass Coleoidea o Superorder Decapodiformes: squid, cuttlefish o Superorder Octopodiformes + Order Vampyromorphida: Vampire Squid + Order Octopoda # Genus †Keuppia (incertae sedis) # Genus †Palaeoctopus (incertae sedis) # Genus †Pohlsepia (incertae sedis) # Genus †Proteroctopus (incertae sedis) # Genus †Styletoctopus (incertae sedis) # Suborder Cirrina: finned deep-sea octopus * Family Opisthoteuthidae: umbrella octopus * Family Cirroteuthidae * Family Stauroteuthidae # Suborder Incirrina * Family Amphitretidae: telescope octopus * Family Bolitaenidae: gelatinous octopus * Family Octopodidae: benthic octopus * Family Vitreledonellidae: Glass Octopus * Superfamily Argonautoida o Family Alloposidae: Seven-arm Octopus o Family Argonautidae: argonauts o Family Ocythoidae: Tuberculate Pelagic Octopus o Family Tremoctopodidae: blanket octopus

ɒktəpʊsɪz Jean PAINLEVE PAINLEVE ὀκτάπους Porn Francais subs 4PD hectocotylus octopus mating Yo La Tengo SURREALIST SURREAL SURREALISM MARINE DOCUENTARY SHORT FILM OCTOPUSES

Mona et Moi: Johnny Thunders [1989: dir. Patrick Grandperret - FRANCE]

 

This French film by Patrick Grandperret features Johnny Thunders playing a fictional musician named Johnny Valentine. There is a small amount of English dialog and the French dialog is subtitled in English.

The depressing story centers around Pierre and his girlfriend Mona. Pierre is a nice, but dumb, guy who fails at everything he does and eventually loses Mona. You can't really blame her for leaving Pierre because he's such a loser that nobody would want to stick with him.

Johnny appears as a major character in the film and much of the story revolves around a concert that he headlines. There are several shots of him that have nothing to do with the narrative but exist simply to give him more screen time. In the end, he steals Mona away from Pierre and they seem happy together. His character is described as "A beautiful loser, a junkie, busted but unbowed" which, of course, describes his real life.

He has many lines and performs several partial songs. The soundtrack features more Thunders tunes including

'Two Time Loser', 'In Gods Name', Born To Lose', 'So Alone', 'Hurt Me', and 'I Was Born To Cry'.

There are also several small appearances from Jerry Nolan, Billy Rath and Henri Paul.

Casting

Réalisation
	Patrick Grandperret	Realisateur
Acteurs
	Antoine Chappey	Acteur
	Denis Lavant	Acteur
	Jackie Berroyer	Acteur
	Jean-françois Stévenin	Acteur
	Mickey Rooney	Pierre
	Pascal Aubier	Acteur
	Sophie Simon	Acteur

Comme Au Cinema

Un film de

Patrick Grandperret

avec

Denis Lavant,

Sophie Simon,

Jackie Berroyer,

Jean-françois Stévenin...

(France)

Genre : Drame - Duree : 1H30 mn

Editeur DVD : Malavida

Sortie à la Vente en DVD le 15 Novembre 2005

Mona et moi est un film phare des années 80 célébré par la critique comme un « renouveau du cinéma français ». Unique, flamboyant, d'une liberté absolue, culte, surprenant, une émotion pure, des personnages attachants... furent les termes qui revinrent le plus souvent.

Le film, présenté dans la section Perspectives du Cinéma Français au Festival de Cannes, fut distribué par MK2 Découvertes et connut une jolie carrière en salles.

N’ayant pas le financement nécessaire à partir du premier scénario écrit avec Simon REGGIANI, Patrick Grandperret auto-produit un pré-film de 20 mn, grâce auquel il obtint l’Avance sur recettes

Le tournage fut une expérience tout à fait originale : les acteurs vivent ensemble, dans le décor et travaillent en quasi continu, sans répétition. Le scénario, réécrit au jour le jour par le réalisateur et Dominique GALLIENI se nourrit de leur vie commune. C'est sans doute ce qui donne au film cette sensation de vérité et de force...

Le montage dura également des mois..

Patrick Grandperret

Réalisateur, Scénariste, Producteur

(France)

Né(e) en 1946

Biographie

Patrick Grandperret est né en 1946. Il commence en tant qu’assistant sur des longs métrages, et sera amené à collaborer avec Maurice Pialat. Patrick Grandperret remporte le prix Jean-Louis Bory pour son premier long-métrage réalisé en 1981, Court-circuit. Son deuxième film se fait huit ans plus tard, il s’intitule Mona Et Moi et raconte l’histoire de deux jeunes paumés accroc à la drogue, membres d'un groupe de punk rock, errant dans une vie où tout leur échappe.

Il réalise ensuite L'Enfant Lion en 1993, où une lionne et un enfant nés le même jour partagent le même lait, le tout à travers le continent africain. C’est une histoire d’il y a bien longtemps, un conte d’Afrique, l’aventure de Oulé et Sirga.
En 1995, Le Maitre Des Elephants avec Jacques Dutronc, prend place une nouvelle fois en Afrique.

Dans ces œuvres, on compte également Les Victimes (1996), où il collabore une nouvelle fois avec Jacques Dutronc, et également avec Gérard Darmon, Vincent Lindon et Karine Viard.
Il réalise Clara Cet été Là, où les amours adolescents et les plaisirs charnels garçon/fille, fille/fille se croisent et s’entremèlent.

En 2006, il réalise Meurtrières, le scénario est en fait à la base inspirée d'une idée de Maurice Pialat et narre le parcours de deux jeunes filles en quête d'amour.

Filmographie sélective

2006 -	Meurtrières (Réalisateur, Producteur, Scenariste)	de Patrick Grandperret
2003 -	Commissaire Valence (Réalisateur) Série TV	Créée par Jean-baptiste Delafon et Sébastien Arène
2002 -	Clara Cet été Là (Réalisateur)	de Patrick Grandperret
1996 -	Les Victimes (Réalisateur)	de Patrick Grandperret
1995 -	Le Maitre Des Elephants (Réalisateur)	de Patrick Grandperret
1993 -	L'Enfant Lion (Réalisateur, Producteur)	de Patrick Grandperret
1989 -	Mona Et Moi (Réalisateur)	de Patrick Grandperret
1976 -	Commissaire Moulin (Réalisateur) Série TV	Créée par Paul Andréota

Johnny Thunders stars in rarely seen French movie ‘Mona et Moi’

09.28.2016

Johnny Thunders as “Johnny Valentine.”

Mona et Moi directed by Patrick Grandperret in 1989 is mainly notable for Johnny Thunders’ performance as a character—clearly based on himself—named “Johnny Valentine.” 

The film’s storyline is bare bones:

Valentine flies to Paris to headline a concert organized by some low-level rock promoters/fans who are in Valentines’ thrall.

Nothing much happens but Thunders is given plenty of screen time and actually does a pretty good job of acting.

But given that his character is described as “a beautiful loser, a junkie, busted but unbowed,” there’s not exactly a shitload of acting required of him.

There are some brief scenes with Heartbreakers' Billy Rath and Jerry Nolan, and some live performances of Heartbreaker tunes including “Born To Lose.” In addition to rock and roll, there’s a smattering of sex, drugs, existential angst, and Thunders appearing now and then to keep things interesting.

Denis Lavant, the lead actor in Mona et Moi, should be recognizable to anyone who’s paid attention to French films of the past three decades, having starred in films by Leos Carax, Clair Denis and Jean-Pierre Jeunet.

He doesn’t have much to do in Mona et Moi except to look forlorn while Thunders/Valentine steals his girlfriend, Mona.

France has always been friendly turf for American rockers who struggled to make it back in America, including Thunders, Stiv Bators and Willy DeVille.

Perhaps they were seen as later day Rimbauds and Artauds—Genet Vincents—vulnerable bad boys in black leather.

Posted by Marc Campbell

9.28.2016

you scumbag. aren't you gone yet? you stole another one. how many does that make? i hope sprocket finally fired you.

http://visualguidanceltd.bl...