Tilly told me, Its faith its awaiting for Utahna Faith - Louis Armstrong & his Orchestra - In the Gloaming [1941]

Tilly told me, its faith its awaiting   

(1965 December) 

for

   

Utahna Faith

Tilly told me, its faith its awaiting   

(1965 December)

Tilly told me,

its sweetness its silence, 

its richness its innateness,

its terroir its season,

its secret its sowing,

its ready its blooming,

its Winter its looming,

its December its fleeting,

its gloaming its mooning,

its hueing its feeling,

its blush its revealing,

its lightness its being.

Tilly repeating,

its faith its awaiting

.@utahna Tilly said, Its faith its awaiting for #UtahnaFaith #LouisArmstrong In the #Gloaming - #dusk #crepuscule #vespers #twilight #sundown https://t.co/fOI449QTeghttps://t.co/RgWNR3hq3Xhttps://t.co/Hiw8zP5cBz

— mrjyn (@mrjyn) 19 septembre 2019

sylvie vartan: si je chante [1965 scope]

The Monks [German TV 1965]

The Monks live on German TV, back in 1965

WHO KILLED TEDDY BEAR [Sal Mineo, Juliet Prowse and Jan Murray - Dir. - Joseph Cates - 1965 - Title Sequence/Song] + Sal Mineo raising money [1973]

Title Sequence/Song: WHO KILLED TEDDY BEAR
[Sal Mineo, Juliet Prowse and Jan Murray - Dir. - Joseph Cates - 1965]



Dance scene between Sal Mineo & Juliet Prowse in 1965's "Who Killed Teddy Bear?"

WHO KILLED TEDDY BEAR (1965) * Pool scene

This is the pool scene from WHO KILLED TEDDY BEAR (1965). Sal Mineo is obsessed with Juliet Prowse. After working out like a maniac he fantasizes about making love to her in the pool.

Sal Mineo trying to obtain backing for his production of "The Children's Mass" 1973

Kenneth Anger's Kustom Kar Kommandos — The All-Chrome Ruby Plush Dream Buggy (1970) Dream Lover by The Paris Sisters (like David Lynch on Julie Kruise-Kontrol)

Kenneth Anger - Kustom Kar Kommandos (1970) features the narcotic purring of Dream Lover by The Paris Sisters, who reach the limit of treacly, Top-40 Manna, like David Lynch on Julie Kruise-Kontrol

"Every night I hope and pray a Dream Lover will come my way..."

Ford Foundation Funds
Kustom Kar Kommandos
Fetish Feature Film

KUSTOM KAR KOMMANDOS

Like an auto emblem, the title appears against a pink backdrop in gold letters. The title is deliberately misspelled, replacing the three C’s with K’s. KKK stands for Klu Klux Klan; another group of associated with white male togetherness and the word Kommando is derived from Commando, which means members of a trained military unit. In both ways the title suggests togetherness and violence, and also implies a relationship between togetherness of two men with sadomasochism as does the film Fireworks (1947, Kenneth Anger). As far as KKK...KAOS KERAUNOS KYBERNETOS: Liber KKK is the first, complete, systematic magical training programme for some centuries. It is a definitive replacement for the Sacred Magic of Abramelin the Mage, which system has become obsolete due to its monotheist transcendentalism and its dependency on repressive forms of inhibitory gnosis now considered inappropriate [we'll leave it there.]

Two boys are seen checking on a perfect engine, highlighted by stunning orange and pink pastel colors. The darker, Italian-looking boy is in black. The other boy (Sandy Trent) is wearing a white tank top and jeans. An engine roars. 'Kar's' door opens, revealing hot rod's insides and red vinyl seats with white piping. Sandy's muscular body rises between twin dual cam-heads. He rises slowly with his tremendous basket next to the silver engine. With his hands on his hips, the camera closes in on his crotch...implying these two things work in tandem: the car’s engine has ultimate importance to the car and the boy’s crotch has ultimate importance to the boy. While wiping down the car the boy is totally detached from the film as a recognizable figure, only his body is seen and not his face. As the boy is fetishizing the body of the car, Anger is fetishizing the boy as well.

KUSTOM KAR KOMMANDOS is [not surprisingly] something to Drag about, at least, automotively speaking, or the fun-filled, Teensville-take on typical, mid-sixties' pompadoured, powder-puffed, chromed-out Hot Rodders, Ford bargained for.

That which survives is an ode to a young man and his car.

"The All-Chrome Ruby Plush Dream Buggy," is the only filmed segment of a larger work that Anger abandoned because the main actor died in a drag race and funding dried up [this fragment would have formed the nucleus of the sixth of its eight parts].

Through this vehicle, 'The Sisters' evoke their Dream Lover, as Crowley may have, Thelema, during his Egyptian honeymoon: an Occult Charioteer with longing and illusory attainment of some unknown ideal.

...In an hallucinatory shot, 'the Maker' [as Anger refers to Sandy Trent in his own notes] regards his reflection narcissistically while this auto erotic shot compares Kar/Male/Female genitalia, like a game of Doctor, or more aptly, Mechanic. Most notably and yet still subtly, two chrome-plated engine cylinders literally reflect his groin like huge steel balls.

Anger's greased, gliding, camerawork, has the caressing, delicacy of feathered down, commingled with giant, twice-brushed, white-powder-puffed, erotic gusts of incantatory, incarnated spirits!

The camera pans down to the California license plate, KBL 852 [the numbers in the license plate add up to 15... The Devil, from the tarot trump - more about magick significance later]. A gust of wind gently flutters the powder puff as it rises up out of frame. The door opens and Sandy gets in, shoeless, with sky-blue socks; with his legs slightly raised, he pumps the pedals.

He revs the engine, loosens the clutch, and shifts the gears. Seen mostly in profile, Sandy is a remnant of the Dick Dale surf era, with his neat, oiled pompadour. He accomplishes the act of looking pristine without being prissy, a rare accomplishment for a grease monkey. Dreyer says in his essay Underground and After, "The idea of dressing up as the assumption of an identity may be related to Jack Babuscio’s discussion (1977) of the ‘gay sensibility’ which stresses the absolute importance of mastering appearances and assuming identities in a gay life where passing for straight (assuming a straight appearance) is so critical." The car is essential in not only helping to create a couple but also in constructing the identity of the boy taking care of the car; it is his reflection.He is also freshly bathed. The work has been done. He's ready to ride his baby. A human could never compete with the dead, impassive perfection of the car... He smirks a little and blinks a lot.

The campily saturated images and pinky backdrop glows complete the womb-like, sexual imagery by enveloping 'Maker' and 'Kar'. To extend the birthing metaphor, the film ends with revved car and "Maker" appearing in an implosion of pink, azure, and red.

'Maker' and Kar are one.

The final sequence shows 'Maker''s face, serene and impassive [as if directed by unconscious forces], revving the engine again [echoing the film’s beginning sound and reinforcing the idea of coupling, not just in the film’s structure but also because the revving engine reminds the viewer to associate that sound with the two boys together] and driving off, hot-rod engine roaring.

ANGER is seen in yellow as someone politely polishes a hood ornament.

Crew

• Dreamed,
• Written,
• Directed,
• Produced,
• Photographed,
• Edited
  
• Kenneth Anger
  
  

Kustom Kar Kommandos — "The All-Chrome Ruby Plush Dream Buggy"
as itself

Sandy Trent as "the Maker"

— Music by The Paris Sisters
Camera assistant: Arnold Baskin.

Filmed: San Bernadino, CA

Yankees: Halbstark [BEAT CLUB 1965 GERMAN: James Dean was something like 'Halbstark']

Yankees - Halbstark 1965

only "Radio Bremen" TV station was brave enough to produce such a show

( German beat of the mid 60s)
['Halbstark' means 'rockers/cocky teenager/rumble fish/young punks']
E.g. James Dean was something like 'Halbstark'

Songtext:

Halbstark. Oh baby, baby, halbstark.
Oh baby, baby halbstark. Halbstark nennt man sie.

Halbstark. Oh baby, baby, halbstark.
Oh baby, baby halbstark. Halbstark nennt man sie.

Sie rasen -- (biduah, biduah) --
durch die Straßen -- (biduah, biduah).
und die Gassen -- (biduah, biduah).
Sie sind menschenleer -- (biduah uah, uah).
Blonde Bienen- (biduah biduah) --
mit Bändern in den Haaren- (biduah biduah) --
und an dem schwarzen Leder- (biduah, biduah), das sie tragen.

Halbstark. Oh baby, baby, halbstark.
Oh baby, baby halbstark. Halbstark nennt man sie.
Halbstark. Oh baby, baby, halbstark.
Oh baby, baby halbstark. Halbstark nennt man sie.

Und die Maschinen (biduah biduah)
ist alles was sie haben. (biduah biduah)
Heiße Melodien, (biduah biduah)
sie heulen durch die Nacht.
Sie rasen - (biduah biduah)durch die Straßen - (biduah biduah)
und die Gassen - (biduah biduah)
Sie sind menschenleer - biduah uah, uah.

Halbstark. Oh baby, baby, halbstark.
Oh baby, baby halbstark. Halbstark nennt man sie.
Halbstark. Oh baby, baby, halbstark.
Oh baby, baby halbstark. Halbstark nennt man sie.

Paul Revere and the Raiders: Ooh Poo Pah Doo + Jackie DeShannon: A Lifetime of Loneliness + Manfred Mann: Paul Jones [HULLABALOO 1965] NRBQ

Jackie DeShannon: A Lifetime of Loneliness
[Hal David/Burt Bacharach 1965]


Paul Revere and the Raiders: Ooh Poo Pah Doo 1965


Paul Jones: "Privledge" 1967
Just found out today that Paul Jones fell into the cult of Christianity.
Very disappointed at yet another idol of mine is unable to make their
own life decisions and need a fairytale to guide their lives.


John Sebastian + NRBQ: Do you Believe in Magic?

Jackie Shane - Walking The Dog (1965) [ *job of new blogowner's never done: constantly trying to update removed YT vids: here's one i just replaced!]

"Now here's a strange character. I knew jackie Shane from his version of In My Tenement, but when I got this footage and set eyes on Jackie, I wasn't sure if he/she was male or female. I found a little info on a website called Queer Music Heritage "Jackie Shane was a soul singer who performed mainly in the Toronto area and was known for his flamboyant effeminate stage persona.
He had a top ten hit in Canada in 1963 called "Any Other Way. "
I learn something new every day!"
Added by innercalm

Jackie Shane - Walking The Dog - 1965 R&B
Volks!

BIG Problems with Sony Records USA about this Video
if you can DOWNLOAD this Video cause Youtube will maybe delete it.

CRISWELL PREDICTS A DUDE AND A NUDE RANCH WILL OPEN SOMEWHERE IN THE MIDWEST IN 1966 ON THE TONIGHT SHOW WITH JOHNNY CARSON!

CRISWELL PREDICTS 1966:
JOHNNY CARSON's TONIGHT SHOW
(NEW YEAR'S EVE 1965)


The infamous introduction to
Ed Wood's 'Plan 9 From Outer Space'
narrated by Criswell

CRISWELL: ORGY of THE DEAD #1
Uploaded by NilbogLAND

CRISWELL: "ORGY OF THE DEAD" #2
Uploaded by NilbogLAND

CRISWELL: ORGY of the DEAD #3
Uploaded by NilbogLAND

CRISWELL: Orgy of the DEAD #4
Uploaded by NilbogLAND

Jackie Shane - Walking The Dog

"Now here's a strange character. I knew jackie Shane from his version of In My Tenement, but when I got this footage and set eyes on Jackie, I wasn't sure if he/she was male or female. I found a little info on a website called Queer Music Heritage "Jackie Shane was a soul singer who performed mainly in the Toronto area and was known for his flamboyant effeminate stage persona.
He had a top ten hit in Canada in 1963 called "Any Other Way. "
I learn something new every day!"
Added by innercalm

Jackie Shane - Walking The Dog - 1965 R&B
Volks!

BIG Problems with Sony Records USA about this Video
if you can DOWNLOAD this Video cause Youtube will maybe delete it.