@mrjyn
April 30, 2011
see my new layout MISTAKE...unless you have epilepsy
HTML5 with Class — Jon Tan 陳
Some time ago I was asked in an interview whether I preferred HTML or CSS. It was a bit like being asked if I prefer pens or pencils. I made an instinctive choice. I chose HTML. It’s the typography of data; the inflection in our voices; the grid of meaning upon which presentation can flourish. I find it beautiful when done well, and that’s why watching HTML 5 unfold with new and refined elements is fascinating to me.
Also available in:
This is a brief introduction to the new structural elements in the HTML 5 Working Draft, and how to use semantic class names in HTML 4.01 or XHTML 1.0 markup that correspond to the names of those structural elements. By doing so, you’ll get a head start in understanding how to use the new elements and also go some way towards using plain old semantic HTML if you’re not already.
Sections:
i. Introduction
HTML 5 will be the first major change to our lingua franca since XHTML 1.0 in 2000; some might say HTML 4.01 in 1999. You’ve probably already seen the HTML 5 Working Draft of the 22nd January this year. The W3C HTML Working Group and WHATWG have been grafting away on our behalf, and trying to satisfy everyone in an open process. Not an easy task. Sometimes, amongst the concerns and the questions it’s easy to forget that, so I’m taking a brief second in between sips of coffee to acknowledge the hard work. Thanks, folks.
Let’s get to know these new structural elements a little better. If you’d rather go straight to the horse’s mouth before continuing I recommend a comfy chair, and a perusal of HTML 5 differences from HTML 4, edited by Anne van Kesteren. W3C documents seem to be getting easier to read, and this is no exception. If you’re sticking with me for a while, let’s get to it:
ii. The
<header>
ElementThe
header
element is for page orsection
headings. Not to be confused with a traditional masthead, which often holds just a logo mark, it should also contain one of<h1>
–<h6>
in hierarchical rank. It could also contain meta information for that page or section of a page like “last updated”, a version number, or blog entry information like published date, author, etc.A simple example for a page using a semantic class name that corresponds to the HTML 5
header
might be:<div class="header"> <h1>Page Title</h1> </div>You could include the logo mark and other meta information within the layer. The next example for blog articles includes author and published date information (as well as an example of referencing the
section
andarticle
elements with semantic class names):<div class="section"> <div class="article"> <div class="header"> <h1>Page Title</h1> <p>By Author on [date]</p> </div> [Article content…] </div> <div class="article"> [Repeat as required…] </div> </div>iii. The
<nav>
ElementThe
nav
element should contain a set of navigation links, either to other pages, or fragment identifiers in the current page. Referencing it with semantic class names is simple:<div class="nav"> <ul> <li>Menu item 1</li> <li>Menu item 2</li> [Repeat as required…] </ul> </div>iv. The
<section>
ElementA
section
element defines a section of a page or a distinct piece of content. It would ordinarily have aheader
and possibly afooter
. This is how we could represent it using semantic class names:<div class="section"> <div class="header"> <h2>Section Title</h2> </div> [Section content…] </div>I’ve also been using <div class="section"> to define a group of layers that are related (like news and events). In such an example, those sub-sections would be nested, each with their own
<h1>
–<h6>
in rank order to maintain heirarchy. For example:<div class="section"> <div class="header"> <h2>News and Events</h2> <p>The latest announcements and upcoming conferences</p> </div> <div class="section"> <h3>News</h3> [Section content…] </div> <div class="section"> <h3>Events</h3> [Section content…] </div> </div>Each
section
could also have a layer with a semantic class name ofheader
if the content made it necessary.v. The
<article>
ElementThis is how the HTML 5 working draft explains
article
element:“The
article
element represents a section of a page that consists of a composition that forms an independent part of a document, page, or site. This could be a forum post, a magazine or newspaper article, a Web log entry, a user-submitted comment, or any other independent item of content.”Multiple
article
elements can also be nested. We looked at the example of a series of blog posts using semantic class names in theheader
section. This is an example using semantic class names in a uniquearticle
page withheader
andfooter
:<body> <div class="article"> <div class="header"> <h1>Title</h1> </div> [Article content…] <div class="footer"> [Footer content…] </div> </div> </body>vi. The
<figure>
ElementThe
figure
element contains embedded media like<img>
and the new elements of<audio>
and<video>
. It also contains an optional<legend>
element performing the function of a caption. Our semantic class name version could be like so:<div class="figure"> <img src="*" alt="*"> <p class="legend">[…]</p> </div>vii. The
<dialog>
ElementThe
dialog
element replaces a<dl>
to contain converations like transcripts. Using it as a semantic class name is straightforward:<dl class="dialog"> <dt>Speaker 1</dt> <dd>So I said to him, I said…</dd> <dt>Speaker 2</dt> <dd>You never. You did? Oh my…</dd> </dl>viii. The
<aside>
ElementTo quote the working draft:
“The aside element represents a section of a page that consists of content that is tangentially related to the content around the aside element, and which could be considered separate from that content. Such sections are often represented as sidebars in printed typography.”
I’ve been using “aside” as a class name for sidebars with mixed content, but my reading of the draft also indicates it may also be appropriate for pull-quotes and anything partially related to the main content, but not of it. See the sections relating to the
ins
andimg
elements for examples. It woud seem appropriate to use it with a semantic class name like this:<body> <div class="section"> [Section content…] </div> [Repeat sections as required for main content…] <div class="aside"> [Aside content…] </div> <div class="footer"> [Footer content…] </div> </body>ix. The
<footer>
ElementThis is what the working draft has to say:
“The
footer
element represents the footer for thesection
it applies to. Afooter
typically contains information about itssection
such as who wrote it, links to related documents, copyright data, and the like.”In the changed elements section of HTML 5 differences from HTML 4, it also explains that, “The
address
element is now scoped by the new concept of sectioning.” This is important, because now, if you have multiplesection
s in a page, each can have both aheader
and afooter
with a correspondingaddress
in thefooter
for each if you deem it necessary. However, that would seem to be a rare use-case. Let’s stick with a more common one: A single footer for each page with a singleaddress
element; here’s how it might be done using a semantic class name:<div class="footer"> <address>[…]</address> [Other footer content …] </div>x. Multiple Class Names
Let’s recap a little: By using semantic class names, we give the information a semantic boost, and each chunk of related data is self-contained. However, it may have become obvious to some designers reading this that a side-effect of using this method, and eventually using HTML 5 elements themselves, will be lots of different content within containers of the same name.
<div class="section">
, for example. You might want to present different content very differently in the browser. Multiple class names will enable you to do that.class="section"
can becomesclass="section news"
, orclass="section services"
. The"section"
class name allows us to standardise some of the presentation; say, typography for example. The"news"
class name will allow us to present it differently as a section variant.So now we have the best of both worlds; the critical structural elements are included by default with more semantic class names providing hooks to apply our creativity to.
xi. End Notes
Bear in mind HTML 5 is a working draft so there will probably be some changes before it becomes a recommendation. It would seem unlikely that any of the new structural elements will be removed, but a sharp eye on the draft updates might be a good move.
Any errors in this article are my own. If you some across any, please let me know and I’ll make corrections.
xii. References & Further Reading
- References:
- Further Reading:
S ome time ago I was asked in an interview whether I preferred HTML or CSS . It was a bit like being asked if I prefer pens or pencils. I made an instinctive choice. I chose HTML. It’s the typography of data; the inflection in our voices; the grid of meaning upon which presentation can flourish. I f ...»See Ya
Eric Meyer | The Geek Talk
A father, a husband, a speaker, a conference organizer, an author, and a reader. A proud and happy resident of Cleveland, Ohio and a traveler of the world. A man of many words in print but fewer in person, an aficionado of all kinds of music, and a semi-competent coder. A veteran of the web going on 17 years now, a booster of markup and style, a creator of movements, and a defender of community and collaboration. A lover, not a fighter.
What about CSS3?
It’s here, it’s coming, it’s stalled, it’s dead… depending on which of the various CSS modules and browsers you choose to scrutinize. For example, some of the advanced CSS selectors are supported by just about every browser in use today, and they’re part of CSS3. Then there are things like CSS Transforms and Animations, which are well supported by a few browsers. And then you have CSS Math, which is potentially interesting but not implemented in browsers (as it has not been for most of the past decade).
So it’s not a question that’s simple to answer. There’s a different answer for every person.
Why reset styles?
Because browsers don’t all have the same defaults. A reset levels the playing field. However, as I’ve said many times, it’s most effective if you take a reset style sheet and alter to suit your own tastes, thus creating a personalized “reboot” style sheet. Raw reset style sheets are a starting point.
What does your typical day look like?
Some administrative work for An Event Apart, a fair amount of feed reading, and a lot of e-mail. It’s also pretty common to do content and other creative work for An Event Apart, writing talks and creating slides, and then there’s always blog, article, and book writing.
What do you do in your free time?
I work on some personal programming projects. I meet weekly online with a group of Halo 3: ODST gamers and irregularly in real life with a group of Rock Band gamers. I also try to make it to local web-related group meetings. Of course, I travel a fair amount for work so these things don’t happen as often as I’d like.
Current favorite apps?
BBEdit, Transmit, Camino, Twitterrific, Eudora, and Osmos. Runners-up: Thunderbird, NetNewsWire 2, and Darwinia.
What OS do you prefer?
Mac OS X. I’m still on Leopard mostly because I don’t have the time to devote to an OS upgrade, and also because as some of my favorite applications get older, I get more and more wary that an OS upgrade will break them.
Small picture of your workplace?
The office is halfway through being reconfigured, so it’s a total mess right now. I’ll just say it’s a smallish room in our converted attic with two windows offering a lovely view of the trees behind the house and a patch of sky where I can watch summer thunderstorms approach.
Favorite: Color, Font, Language, JS Framework?
Respectively: navy blue, New Century Schoolbook, HTML, don’t have one.
Name something that has inspired you recently?
The documentary film “Man On Wire”. What a fantastic work of art.
What do you prefer (and why): Freelance work or full time employment?
I prefer working for myself. It has a lot of advantages, not least of which is that I can really never be fired. It also lets me be closer with my family. The downside is that as a U.S. citizen, I have to pay for my own health care and health insurance, and that’s not exactly inexpensive. If I didn’t have access to a decent group plan through a local small-business coalition, it would be even more expensive.
What are your personal projects and goals for 2010?
To finish up my current book project for Wiley and start on the fourth edition of “CSS: The Definitive Guide”, and to keep focused on making An Event Apart the best event it can be and the premiere conference choice for web designers and developers.
More personally, I have a web service idea that a friend and I are going to try to build– it’s one of those “we wish this thing existed so we’ll have to make it happen ourselves” situations. I’m also hoping to finish a much better version of HYDEsim incorporating work I did in conjunction with Nuclear Darkness and some additions of my own. I’m most of the way there but my weakness at JavaScript programming has proven quite a hurdle. Once that’s done, I have some old WordPress plugins that could really stand to be overhauled and updated, and sometimes I think I should revisit S5 to take advantage of CSS animations and transforms.
I also hope to find time this year to become more conversant in American Sign Language and maybe do some carpentry.
A father, a husband, a speaker, a conference organizer, an author, and a reader. A proud and happy resident of Cleveland, Ohio and a traveler of the world. A man of many words in print but fewer in person, an aficionado of all kinds of music, and a semi-competent coder. A veteran of the web going ...»See Ya
Trophy Barber Shop
via flickr.com ...»See Ya
Mind Numbing Designs Of Peter Jaworowski
Take It To The Max & Zero Gravity The Witcher 2 – Duel No Strings Attached Wrigley’s – 5 (Cobalt) Discovery Channel – Deadliest Catch Wrigley’s – 5 (Pulse) Don’t Play The Red Bulletin – Singapore Martini Asti – Elements via designm.ag ...»See Ya
Common_English_Errors
via btbpress.com ...»See Ya
SURE i'll post this pic any day
Key
via flickr.com ...»See Ya
More Vintage Web Font Typography
Téléchargez les typographies du Commodore, de l’Apple, de l’Atari 400, de Acorn BBC Micro, du Sinclair ZX Spectrum, du Commodore 64, de l’Amstrad CPC et MSX… :-)
Bonjour à toutes et tous
Ce matin on commence ce mercredi par un retour typographique dans les années 70-80 avec les polices bitmap qui ont marqué nos logiciels et nos interfaces de ces 30 dernières années. Mises en ligne par Damien Guard, il est possible de les télécharger (à la fin de l’article) pour ajouter un peu de 8-bit à vos compositions graphiques ou à vos ouvrages sur écrans !
Téléchargements :
Commodore PET (1977)
Regular semi-serif
5-7 pixels
7 pixels
PETSCII
320×200 (40×25 text)
Unknown
Download in TrueTypeApple ][ (1977)
Regular condensed sans
3/5 pixels
7 pixels
ASCII
280×192 (40×24 text)
Signetics+?
Download in TrueTypeAtari 400/800 (1979)
Bold sans
4-6 pixels
6 pixels
ATASCII
320×192 (40×24 text)
Unknown
Download in TrueTypeAcorn BBC Micro (1981)
Bold sans
4-7 pixels
7 pixels
ASCII only
320×256 (40×32 text)
Unknown
Download in TrueTypeSinclair ZX Spectrum (1982)
Regular sans
6 upper, 5 lower
6 pixels
ASCII + own
256×192 (32×24 text)
Nine Tiles
Download in TrueTypeCommodore 64 (1982)
Bold sans
6 pixels
6 pixels
PETSCII
320×200 (40×25 text)
Unknown
Download in TrueTypeAmstrad CPC
Bold serif
6-7 pixels
6 pixels
PETSCII
320×200 (40×25 text)
Locomotive Software
Download in TrueTypeMSX
Regular condensed sans
5 pixels
6 pixels
ASCII Extended
320×200? (40×25 text)
Microsoft?
Download in TrueType
Téléchargez les typographies du Commodore, de l’Apple, de l’Atari 400, de Acorn BBC Micro, du Sinclair ZX Spectrum, du Commodore 64, de l’Amstrad CPC et MSX… :-) Bonjour à toutes et tous Ce matin on commence ce mercredi par un retour typographique dans les années 70-80 avec les polices bitmap qui on ...»See Ya
Déjà l'HTML5 | L'Cinque
Déjà les parodies du logo pour le HTML5 :-)
Allez ce matin on ouvre les yeux tout doucement sur les toutes nouvelles parodies du logo HTML5. Hier je vous parlais de la création de ce logo par le W3C, et déjà ce matin je vois fleurir des parodies. Ce qui est intéressant avec ces parodies c’est qu’elles nous éveillent parfois sur la vision du logo, ses références et le replace dans son contexte visuel. On appréciera donc ici la référence aux Autobots des Transformers, à la forme de bouclier, au sigle de Superman ou même, au Dieu dans le film Tron
Le logo officiel
Les logos parodiques
Si j’ai raté d’autres logos parodiques, n’hésitez pas à me les envoyer
Installez le plugin Flash pour voir l''animation : Déjà les parodies du logo pour le HTML5 :-) Allez ce matin on ouvre les yeux tout doucement sur les toutes nouvelles parodies du logo HTML5. Hier je vous parlais de la création de ce logo par le W3C , et déjà ce matin je vois fleurir des parodies. C ...»See Ya
&
via simplebits.com ...»See Ya
w3c
via ab-c.com.au ...»See Ya
Westminster
Westminster
Select font to view more information.
Westminster
- Purchase & Download Westminster font for personal, professional or business use on workstations.
- License Westminster font for enterprises, web developers, for hardware & software redistribution or server installations.
In the mid-1960s after banks began printing machine-readable account numbers on checks, a British font designer made an entire typeface along the same lines. No one took this typeface seriously, however, until Photoscript produced it, naming the typeface after the bank that helped Photoscript fund the font's production. Westminster was an instant hit, and the very font makers who had previously rejected the idea rushed out to commission alternative designs. This is the first of those designs, and it's the best. Although you're welcome to use only the numbers (perhaps you run a bank), the rest of the face can provide a number of interesting uses at both large and small sizes.
Westminster Select font to view more information. In the mid-1960s after banks began printing machine-readable account numbers on checks, a British font designer made an entire typeface along the same lines. No one took this typeface seriously, however, until Photoscript produced it, naming the type ...»See Ya
Re:placed [in]lines [was: ]content-generated image] fantasai
Re: replaced inlines [was: vertical-align content-generated image?]
From: fantasai <fantasai@escape.com>
Date: Tue, 26 Jun 2001 22:47:29 -0400
Message-ID: <3B394941.7E94183B@escape.com>
To: www-style@w3.org
Ian Hickson wrote: | | On Tue, 26 Jun 2001, fantasai wrote: | > Ian Hickson wrote: | > | fantasai wrote: | > | > So I ask, what is the difference between [''] and nothing? | > | | > | The same as the difference between: | > | <inline></inline> | > | ...and | > | <none></none> | > | ...when the following stylesheet is applied: | > | inline { display: inline; } | > | none { display: none; } | > | > But you're changing the display here--this is the content | > property we're talking about, remember. | | I was merely using that as an example. In the context of the | content property, the same applies: |content: ''| takes up | room (just like an empty inline) and |content: none| or | whatever it ends up being called just doesn't exist in the | rendering tree. The fact that you're taking the box itself out of the rendering tree means you're fiddling with something other than the box's content. ========================================================== | [...] | > | This is what my proposal (given above) does, except | > | with one property, by making it possible to say: | > | | > | content: replaced(lala), 'some-content'; | > | | > | ...where "lala" is used if possible, and otherwise | > | 'some-content' is used instead. The working group | > | generally feels that it is better to not add new | > | properties if that can be avoided. | > | > Avoided by what, making function notation modify the | > meaning of the ~property~? | | Well it doesn't change the meaning of the property itself. Then how come a url causes two different results based on whether it's in the url() notation or the replaced() notation? | > As I've pointed out in English above, the values for | > replacing content and replacing elements mean different | things. | | I'm confused. | | Here are the cases I see need supporting for replacing | the content of elements: | | 1. Don't replace anything, let the DOM determine what | is used. | | 2. Replace all the children of the element with a new | set of content with its own formatting rules, for | example mixed text and images. ("generated content") | | 3. Replace all the children of the element with a | single item that is out of the scope of the | stylesheet. ("replaced content") | | None of these replace the element itself. When I've said | "replaced element" I have always meant "replaced content" | (and I apologise for not being clear). In the first two instances, 'content' (auto or explicit) only affects the stuff inside the element's CSS box. In the last instance, 'content' would not only affect the stuff inside the element's CSS box, but also change the nature of the CSS box. Ok. Suppose I'm given a colander with vegetables in it. _m,#.__ \:::::/ <- colander with veggies ----- The contents of the colander are the vegetables. The content of the CSS box is its document content. Now, if I put the colander in a sink full of water, the water will flow through the holes and soak its contents (my vegetables). Now, if I put the CSS box in an HTML document, the style rules will inherit through the box and affect its content (the document content). I can replace the vegetables in my colander with some other vegetables. I can replace the document content in the CSS box with some other content. The water still flows through the holes in the colander. The rules still inherit through the CSS box. Now, suppose I decided to replace the colander with a Tupperware(R) of some lettuce. Now, suppose I decided to replace the CSS box with another document (like what happens with IFRAME). The water doesn't flow through the Tupperware(R) box, and my lettuce doesn't get wet. The rules don't inherit through the replaced CSS box, and they don't affect the inserted content. Do you see what I'm getting at?
Re: replaced inlines [was: vertical-align content-generated image?] This message : [ Message body ] [ Respond ] [ More options ] Related messages : [ Next message ] [ Previous message ] [ In reply to ] [ Next in thread ] [ Replies ] From : fantasai < fantasai@escape.com > Date : Tue, 26 Jun 2001 22: ...»See Ya
April 29, 2011
Trials and Trib-ululation
Benutzer:Schaufi
Benutzer:Schaufi
↑ Persönliches
Meine Interessen (wie ihr aufgrund der bunten Liste unten sehen könnt): Wien, Budapest, österreichische und ungarische Persönlichkeiten, Literatur, Kinderthemen, Medien und Theater. Was ich wirklich hasse, ist Knoblauch (bin aber keine Drakulina!)
1996 habe ich Schlafes Bruder ins Ungarische übersetzt.
Ich habe zwei wunderbare Kinder. Das ist mein Sohn (der jüngere)
Das sind meine Bilder Meine Homepage
24. November 2006: ich habe das oft kritisierte Burgtheater-ABC ins Nirvana (besser gesagt, zum Andenken auf meine BurgABC-Spielwiese) geschickt und den Inhalt in den Artikel hineingearbeitet. Nun bin ich wirklich FERTIG. Aber wenigstens habe ich den Abend des Wiki-Treffens, zu dem ich nicht hingehen konnte, produktiv verbracht...
11. Jänner 2007: neuer Meilenstein in der Geschichte des Burgtheater-Artikels. Gledhills monumentales und informatives Werk über die Direktionen des Wiener Burgtheaters habe ich mit Hilfe von Invisigoth67 aus dem Hauptartikel in einen eigenen Artikel ausgelagert.
Sommer 2007: Große Wikipause, aus mehreren Gründen... März 2008: Meine erste Gruppenausstellung -- ich war eine der elf Künstler!
↑ Navigationszentrum
Links für Benutzer:Schaufi | ||||
Diskussion | Beiträge | Vertrauen | Bewertung |
↑ Die Verwendung meiner Vorlagen
Verwendung
Wikipedianer dürfen meine Textbausteine auf ihrer Benutzerseite im Wikipedia:Babel verwenden.
Männliche Benutzer fügen {{Benutzer:Schaufi/Vorlage:XXXX|mw=m}}
,
weibliche Benutzer {{Benutzer:Schaufi/Vorlage:XXXX|mw=w}}
und unerkannt bleiben wollende Benutzer {{Benutzer:Schaufi/Vorlage:XXXX}}
auf der Benutzerseite ein.
Wenn es nicht bei den Sprachen stehen soll, dann kann man die Vorlage:Babel-Kopf verwenden.
↑ Über mich
Babel: | ||
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Benutzer nach Sprache |
↑ Meine Aktivität
↑ Meine letzten Beiträge
- Beitragzähler und Statistik
- Hitliste (Artikel, die ich überarbeitet/erstellt habe, gelistet nach der Anzahl der Edits)
↑ Überarbeitungen, Änderungen und neue Artikel (Auswahl)
- N: Neuer Artikel
- Ü: größere Überarbeitung
- Ä: wesentliche Änderungen
Sylvie Rohrer N - Bipol-Art N - Joachim Meyerhoff N - Regina Fritsch N - Kay Redfield Jamison N ( auch auf ungarisch N) - Adrian Eröd N - Café Hummel N - ORF-Hörspielpreis N - Urs Hefti N - Balatonalmádi Ü - Cercle N - Philip Tiedemann N - Claus Peymann kauft sich eine Hose und geht mit mir essen N -Sepp Dreissinger N - ImPulsTanz N - János Garay Ü - Pauline Knof N - Susanne Ayoub N - Lilian Faschinger N - Otto Brusatti N - Wolfgang Gasser N - Sepp Nordegg N - Elke Krystufek N- Theu Boermans N - Ilse Haider N - Burgtheater AUCH in der ungarischen Wiki, ich finde, von den nicht deutschsprachigen Versionen die gelungenste, das war jetzt alles andere als bescheiden...N - Andrea Clausen in der ungarischen WikiN- Christiane von Poelnitz N -- Markus Meyer N - Zsófia Boros N - Karo und der liebe Gott N - Petra Morzé N - Danielle Proskar N - Branko Samarovski N - Die Jungen der Paulstraße N - Markus Hering N - Dagmar Schratter N - Márta Sebestyén N - Robert Meyer N - Eine STADT. Ein BUCH. N - Wiener Kindertheater N - Ostalgie und Wickie, Slime and Paiper Ü - Ignaz Kirchner N - Agnes Husslein N - Ganztagsvolksschule Köhlergasse N - Der Kirschgarten N - Ungarische Sprache Ü -iWiW N - Attila József Ü -- Maria Altmann N -- Andrea Breth Ü - Annemarie Düringer N - Sabine Haupt N - Andrea Clausen Ü -Cornelius Obonya N - Drachenschatz N - Johannes Krisch N - Sven-Eric Bechtolf N - Klaus Trabitsch N - Minna von Barnhelm Ü - Burgtheater Ü -Minopolis N -József Antall N -- Nicholas Ofczarek N -- Zoltán Egressy N --Fenstergiraffe -- Ablak-Zsiráf N -- Haus des Terrors (Budapest) N - König Ottokars Glück und Ende N -Kinderfreibad N - Hot Dogs (Jugendbuch) N - Erstlesebuch N -Museum der Abenteuer N -Turul N -Max Friedrich N - Gewalt an der Schule Ä -Beifußblättriges Traubenkraut Ü -Clown & Co N -Confetti TiVi N - Der schiefe Turm N -Erich Schleyer N -Fidesz – Ungarischer Bürgerbund N -Forscherexpress Ü -Ganztagsschule Ü -Hannes Schwarz N -Knickerbocker-Bande Ü -Thomas Brezina Ü, in der Wiki-hu [1]N - Tiger-Team Ü -Tischmutter N -Tom Turbo N -Wien-Detektiv N -Zoltán Pokorni N - Realschule Ü - Robert Schneider in der Wiki-hu[2]N - Budapest Ü - Vera Russwurm und Vera (Fernsehsendung) N - Am Schauplatz N - Vorlage: Navigationsleiste Theater in Wien N
↑ Was ich nicht gern mache
Seit einiger Zeit bearbeite ich nicht gern Themen, die eng mit der aktuellen ungarischen politischen Lage zusammenhängen, ab und zu muss ich aber eingreifen, wenn ich Behauptungen sehe, die nicht neutral formuliert sind und/oder als Theoriebildung aufgefasst werden können.
↑ Pläne
Zur Zeit beschäftige ich mich oft mit dem Artikel Burgtheater, ich wäre froh, wenn auch andere mitmachen würden. Der Artikel ist am 26. Mai 2006 lesenswert geworden (Originalzustand des Artikels)! Hier bedanke ich mich herzlich für die Korrekturen, Ideen und konstruktive Kritik! Es gibt noch viele Burgschauspieler, deren Links knallrot (Fehlende Burgschauspieler) leuchten. Nachdem viele die Listen im Artikel kritisiert haben, überlege ich, Listenartikel anzulegen, und sie mit dem Hauptartikel zu verlinken. Die Listenartikel sollten aber ergänzt und präzisiert werden. Außerdem interessieren mich Artikel über Wien, insbesonders über Währing, bzw. Artikel mit ungarischem Bezug. Ich möchte gern Artikel über die Region Almenland (Teichalm/Sommeralm), bzw. über Fladnitz an der Teichalm schreiben. Toll wäre noch ein Artikel über Schloss Walchen (OÖ) bei Vöcklamarkt, in dem sich ein Kindermuseum befindet, das wenige kennen und dessen Link im Artikel Kindermuseum keinen Platz hatte, deswegen notiere ich ihn hier, um ihn nicht zu vergessen: Schloss Walchen, Kinderwelt-Museum. Zur Zeit ist das Schloss im Vöcklamarkt-Artikel integriert und kaum verlinkt, obwohl es was Besseres verdient! Und über die Ergänzungsprüfung Deutsch gibt es noch auch keinen Artikel. Collegium Hungaricum (Ungarisches Kulturinstitut) und die Österreichische Orient-Gesellschaft Hammer-Purgstall wären auch je einen Artikel wert... und die unaussprechlichen Trzesniewski -Brote auch... Café Hummel, Nemzeti Színház zum Überarbeiten...
↑ Meine Hobbys
- Wikipedia (Wikisucht-Test)
- International Who is Who -- iwiw.net Lest meinen Beitrag über iWiW! Mit der Hilfe dieses Systems kann man Bekannte, Freunde, Verwandte aus aller Welt finden -- bis dato sind die meisten User irgendwie mit Ungarn verbunden, weil man nur mit einer Einladung ins System kommt.
- Alles, was kreativ ist. Ich liebe zum Beispiel Seidenmalerei und ich mache das sehr gern mit meinen Kindern -- ein Hobby, das eine sehr beruhigende Wirkung hat. Außerdem male ich gern mit Acrylfarbe. Wenn ich Lust habe.
- Natürlich Theater. :-)
- Natürlich Mails schreiben :-)
- Mein Blog. Chatten tue ich nicht, nur in einem Chatroom, das aber sehr gern :-) Wo, das verrate ich nicht.
↑ Vertrauen
Benutzer, mit denen ich gut zusammenarbeiten kann und/oder vor denen ich Respekt habe
↑ Personendaten
{{Personendaten| NAME= |ALTERNATIVNAMEN= |KURZBESCHREIBUNG= |GEBURTSDATUM= |GEBURTSORT= |STERBEDATUM= |STERBEORT= }}
Monobook, PDN ein- und ausschalten
↑ Fußnoten
<ref>Text Zitiert von: [http://link Erklärung] (1979)</ref>
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