See Ya at What Gets Me Hot: 23 January 2011

Joe Pass Finger Mnemonics!

'I tried to commit its subtle evanescence to finger mnemonics.'

THIS IS jazz guitar genius Joe Pass's most difficult guitar scale instructional to 'teach' AND 'master'!

ONLY GUITAR AFICIONADOS--LYDIAN and Lynching--need bother comment this subtly masterful lesson in extempore! J. Pass's classes make it look easy!

...reflect on multi conceptual scalar ideas posited in insightful appraisal re. mixylodian vs. lydian's 40% personal taste 30% genetics; truer words never spoken about simmering lustiness blues scales difficult to do (immersed jazz-based microtones and avant-scales, abstain imposing passion order his sacred primitive musical form.

Thank you for reminding me that there is still someone out there--strong, pristine integrity as honor career jazz composer guitar.

love to hear you blast again.

last time possessed by your 3/4 harmonics scale solo during the 12-break of your Kessel tribute.

When I returned to Berkley divorced me as I tried to commit its subtle evanescence to finger mnemonics.

a true renaissance man

you have no idea.

* Wouldn't you, in fact, most naturally admit to having a "mixolydian" tonal mode (G - G), rather than a Lydian (F- F) mode, especially since the étude is later announced by the narrator. I find the blues scale much more fun to play, with sexier and more poetic possible chords. I just learned to play it, all of 12 or so years ago. Jay Alan Davis
Joe Pass Teaches AND HOW!

jazz purists need comment on this masterpiece! thank you!

Baby grandiloquent jazz!
They try to teach you something
relevant (if you're a member)
http://post.ly/1YCdw
Joe Pass Teaches AND HOW!

forever indebted to brandonshred for producing this and three other masterpieces (that i know of) in the oeuvre.

Encore!

Joe Pass Teaches AND HOW!ONLY GUITAR AFICIONADOS WHO KNOW THE DIFFERENCE BETWEEN LYDIAN and Lynching need bother commenting on this subtly masterful lesson in extempore!!!!

only jazz purists (and tina) need comment on this masterpiece! thank you!

Baby grandiloquent jazz! They try to teach you something

In this video:

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Alan Pritchard, Gaejang Guk and Bill Neubauer like this.

Gaejang Guk http://post.ly/1YCdw Joe Pass Teaches AND HOW!
http://post.ly/1YCdw

only jazz purists (and tina) need comment on this masterpiece! thank you!
Baby grandiloquent jazz! They try to teach you something

Gaejang Guk

http://post.ly/1YCdw Joe Pass Teaches AND HOW!
ONLY GUITAR AFICIONADOS WHO KNOW THE DIFFERENCE BETWEEN LYDIAN and Lynching need bother commenting on this subtly masterful lesson in extempore!!!!
http://post.ly/1YCdw only jazz purists (and tin...a) need comment on this masterpiece! thank you!
Baby grandiloquent jazz! They try to teach you something

Jay Alan Davis

Wouldn't you, in fact, most naturally admit to having a "mixolydian" tonal mode (G - G), rather than a Lydian (F- F) mode, especially since the étude is later announced by the narrator. I find the blues scale much more fun to play, with sexier and more poetic possible chords. I just learned to play it, all of 12 or so years ago.

Cam Paterson a true renaissance man you are Jay.

Mauryo Rourk

you have no idea. i only just got back to the page after everyone else had let me down from the Phineas Newborn piece. Jay officially wins my best Facebook sport-playpal award for the early quarter of 2011. To find out more about what th...e fuck i'm talking about, see the relevant post in VIBookies (if you're a member).

I will have to reflect on some of the multi-conceptual scalar ideas posited in your insightful appraisal re. mixylodian vs. Lydian. As you know it is at least 40% personal taste and 30% genetics. However, no truer words were ever spoken about the simmering lustiness of the blues scale, and while it has been difficult for me to do (being immersed in jazz-based microtones and avant-scales, i have somehow managed to abstain from imposing my passion for order on this sacred primitive of all musical forms. Thank you for reminding me that there is still someone out there who feels as strongly about its pristine integrity as I've tried to honor throughout my career as a jazz composer for guitar.

I would love to come out to San Francisco and hear you blast again. The last time I was possessed by your 3/4 harmonics scale solo during the 12-break of your Kessel tribute.
When I returned to Berkley, my wife nearly divorced me as I tried to commit its subtle evanescence to finger mnemonics.

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Dog Meat

Added on Saturday via Posterous · LikeUnlike · * * Alan Pritchard, Gaejang Guk and Bill Neubauer like this. * o Gaejang Guk http://post.ly/1YCdw Joe Pass Teaches AND HOW! http://post.ly/1YCdw only jazz purists (and tina) need comment on this masterpiece! thank you! Baby grandiloquent jazz! They try to teach you something Yesterday at 5:01pm · LikeUnlike o Gaejang Guk http://post.ly/1YCdw Joe Pass Teaches AND HOW! ONLY GUITAR AFICIONADOS WHO KNOW THE DIFFERENCE BETWEEN LYDIAN and Lynching need bother commenting on this subtly masterful lesson in extempore!!!! http://post.ly/1YCdw only jazz purists (and tin...a) need comment on this masterpiece! thank you! Baby grandiloquent jazz! They try to teach you somethingSee More Yesterday at 5:03pm · LikeUnlike o Jay Alan Davis Wouldn't you, in fact, most naturally admit to having a "mixolydian" tonal mode (G - G), rather than a Lydian (F- F) mode, especially since the étude is later announced by the narrator. I find the blues scale much more fun to play, with sexier and more poetic possible chords. I just learned to play it, all of 12 or so years ago. 17 hours ago · LikeUnlike o Cam Paterson a true renaissance man you are Jay. 12 hours ago · LikeUnlike o Mauryo Rourk you have no idea. i only just got back to the page after everyone else had let me down from the Phineas Newborn piece. Jay officially wins my best Facebook sport-playpal award for the early quarter of 2011. To find out more about what th...e fuck i'm talking about, see the relevant post in VIBookies (if you're a member). I will have to reflect on some of the multi-conceptual scalar ideas posited in your insightful appraisal re. mixylodian vs. Lydian. As you know it is at least 40% personal taste and 30% genetics. However, no truer words were ever spoken about the simmering lustiness of the blues scale, and while it has been difficult for me to do (being immersed in jazz-based microtones and avant-scales, i have somehow managed to abstain from imposing my passion for order on this sacred primitive of all musical forms. Thank you for reminding me that there is still someone out there who feels as strongly about its pristine integrity as I've tried to honor throughout my career as a jazz composer for guitar. I would love to come out to San Francisco and hear you blast again. The last time I was possessed by your 3/4 harmonics scale solo during the 12-break of your Kessel tribute. When I returned to Berkley, my wife nearly divorced me as I tried to commit its subtle evanescence to finger mnemonics.

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