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October 25, 2009

HALLOWEEN № 2 •℞• David Bowie•Dick Cavett •1974• •(VIDEOS №3)••Full-Blown Cocaine Psychosis••( *Read Transcript and Story of Interview)•SEVEN DAYS MAKE ME HALLOWEEN-WEAK•






http://www.youtube.com/watch?v=JRBUHR...

№ 1 ℞ David Bowie  
•(Read Transcript Below)•





№ 2 ℞ David Bowie  
•(Read Transcript Below)•


The Dick Cavett Show

Sigma Kid Marla Feldstein saw Dick Cavett get out of a car in downtown Philadelphia and screamed at him, "Do a show on Bowie!" Cavett allegedly turned and mumbled "OK."

On 2 November 1974 Marla and her crew attended the filming of the Dick Cavett Show in New York…. "He was so nervous, we kept clapping at everything to make him feel better. He does about an hour and sings Young American, 1984, Can You Hear Me and Footstompin'."

The show was broadcast on 4 December 1974 by NBC in America. Following an introduction from the show's host, David performed "1984" and "Young Americans." This was followed by an interview with Dick Cavett and then David performed "Footstompin'." The other number - "Can You Hear Me" - was not televised.
FROM THE HALLOWEEN SERIES SPECIAL
TO
WHAT GETS ME HOT


"SEVEN DAYS MAKE ME HALLOWEEN-WEAK"
OR SOMETHING TO THAT EFFECT
Please Don't Miss The Full Transcript and Extra Video By Clicking on Full Post HERE


Jerry Lee Lewis Johnny B Goode - VidoEmo - Emotional Video Unity

Jerry Lee Lewis Johnny B Goode




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The Hound of Halloween - Not Sure If This Is Really a Challenged Person or Not, By Reading Below You'll Know As Much As I Do When I received this in my YouTube Inbox Just Now. I know One thing though, It's Scary as Shit!

The Hound of Halloween

tughard1

hi
i sent you a friend invite . Please add me as your friend.
The is one of my favs video please rate and comment and i will do the same for your featured video.

This is a Halloween hound dog . Hope i don't scare you to bad :)




READ TUGHARD1 PROFILE AFTER THE BREAK

FIRE AT EASLEY-MCCAIN STUDIO | News Feature | Memphis Flyer

FIRE AT EASLEY-MCCAIN STUDIO | News Feature | Memphis Flyer
FIRE AT EASLEY-MCCAIN STUDIO
Legendary home of hits suffers considerable damage.
BY Andria Lisle

On the afternoon of Wednesday, March 2, 2005, a fire broke out at the the Easley-McCain Recording Studio in Memphis, located on Deaderick Ave., near Lamar and Airways.

Luckily, no one was injured in the blaze, which began with a suspected power surge. While the studio's main room was undamaged, the lobby was gutted and much of the downstairs was decimated with fire, smoke, and water damage.

The echo chambers and the master tapes stored at this facility appear intact, but studio owners Doug Easley and Davis McCain won't know the full extent of damage until after an insurance inspection later this week.

Hundreds of acts have recorded at the studio, including the White Stripes (White Blood Cells), Pavement (Wowee Zowee), Sonic Youth (Washing Machine), Jon Spencer Blues Explosion (Extra Width), Guided By Voices, Modest Mouse, Cat Power, Rocket From the Crypt, Iggy Pop, Young Fresh Fellows, Mr. Airplane Man, and Sparklehorse.

Jeff Buckley, Charlie Feathers, and Townes Van Zandt recorded their last sessions here, while Memphis legends such as Alex Chilton, the Grifters, the Oblivians, Reigning Sound, the Tearjerkers, Tav Falco's Panther Burns, Impala, Big Ass Truck, Monsieur Jeffrey Evans & '68 Comeback, and many, many more, cut pivotal releases at the studio.

Most recently, Jack White and Loretta Lynn mixed the Grammy-winning Van Lear Rose at Easley-McCain.

ADDITIONAL INFO from Chris Davis

Easley was originally designed for Chips Moman, the "Dark End of the Street," co-songwriter who produced some LARGE hits: Dusty Springfield's "Dusty in Memphis; a little tune called "Suspicious Minds." It was the first recording studio in Memphis that was actually built to be a recording studio. After Chips, it served as the Bar-Kays main joint for a while.

Even a short list of the artists and recordings that have come through after Doug Easley and Davis McCain took over will give you some idea of just how vital it's remained.

Sonic Youth, The White Stripes, John Spencer Blues Explosion, Guided By Voices, Pavement, Alex Chilton, The Grifters, The Gories, Cat Power, Wilco, Tav Falco, Silver Jews, Reigning Sound, American Death Ray, The Spinanes, Oblivians, Jeff Evans, Jeff Buckley ..... and on and on and on. I haven't even scratched the surface.

Loretta Lynn's Grammy Winning Van Lear Rose, produced by Jack White, was mixed at Easley. Jack and Loretta autographed the microwave oven.

Apparently no one was injured, and the studio's soundproof door stopped the flames -- but the devastation reportedly included considerable damage to the control room and consoles. .




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(video) Glossolalia: Glossa γλώσσα tongue - video from mrjyn. Glossolalia:, glossa, γλώσσα, tongue

this is as insane as the day i uploaded two years ago




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Twitter Digest for @mrjyn (What Gets Me Hot) #Follow For Saturday October 24th

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She claims to be the sister of the king of rock and roll and she believes Elvis Presley is still alive. http://ff.im/-aruXg
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Beer Ad Shows 'Ho White' and 7 Dwarves

clipped from: www.myfoxla.com   
Beer Ad Shows 'Ho White' and 7 Dwarves

Disney is reportedly up in arms over an Australian beer ad that depicts Snow White and the seven dwarves in bed.
clipped from: media.wwono.com   
http://media.wwono.com//photo/2009/10/16/308930415_69ec336989%5B1%5D_20091016190527_640_480.JPG
clipped from: www.myfoxla.com   
The Telegraph reports
that in the ad for Jamieson's Raspberry Ale, Snow White is shown
blowing smoke rings while lying in bed with half-clothed dwarves. But
she's been renamed "Ho White" and dwarves Sleepy, Happy and Doc have
been renamed Filthy, Smarmy and Randy.

Australian ad agency the Foundry told Sydney's Daily Telegraph
that it wanted to promote the beer as "anything but sweet." The Foundry
claims that it had "a little bit of contact" with Disney regarding the
ad.

A Web site promoting the new ad had reportedly been set up
at anythingbutsweet.com, but the site appears to have been pulled down
since the controversy began.

clipped from: www.telegraph.co.uk   




The link to Snow White in the advertisement has reportedly angered Disney.
clipped from: www.myfoxla.com   
Disney, which owns the copyright for Snow White and the Seven Dwarves, has not issued a comment about the ad.

How Iago Explains the World - NYTimes.com


Image by what gets me hot via Flickr
How Iago Explains the World - NYTimes.com
October 11, 2009
How Iago Explains the World
By LEE SIEGEL

Peter Sellars, the avant-garde director known for staging classical plays and operas in joltingly contemporary settings, has once again aroused controversy with an unorthodox production of a canonical work.

This time it’s “Othello,” now running at New York University’s Skirball Center for the Performing Arts in Greenwich Village. Mr. Sellars has updated Shakespeare’s tragedy of jealousy and revenge with cellphones, Blackberrys and wall monitors.

But Mr. Sellars needn’t have bothered with all the new technology. The play itself speaks to one of the most salient confusions of our time: the conflict between transparency and secrecy.

The character who best exemplifies this theme is the villain, Iago. An “ensign” or aide-de-camp to Othello, a general in the Venetian army, Iago is enraged when passed over for a promotion, and schemes to destroy the hero he feels has betrayed and belittled him.

For all his uncontrolled anger, Iago is the most calculating of avengers, who as he plots Othello’s downfall knows he must conceal his true objectives behind the appearance of goodwill:

For when my outward action doth demonstrate
The native act and figure of my heart
In compliment extern, ’tis not long after
But I will wear my heart upon my sleeve
For daws to peck at: I am not what I am.

For Iago, success lies in never being what he seems. He manipulates appearances, lies without remorse, and cultivates opacity the way some men work on their abs.

He is the ideal forerunner of so many contemporary dissemblers — the deceitful politician, clergyman, athlete or entertainer; the conniving money manager; the prevaricating realtor; the online sexual predator. Iago takes deception to the highest possible level. He becomes the ultimate creature of secrets, the man whose petty grievance doesn’t match his outsize fury. He is driven by “motiveless malignity, ” in the phrase coined for him by the 19th-century poet and critic Samuel Taylor Coleridge. Iago’s love of secrecy is all the more disturbing because it contrasts so starkly with the openness and candor personified by Othello, who not only believes all men “shouldst be honest,” but seems to think many really are.

But Shakespeare’s tragedy suggests that transparency and secrecy are not simply opposites. Instead they interact, each reinforcing the other. As events rush to their conclusion, the audience knows that Othello’s naïve trust in outward appearances, his “free and open nature,” as Iago contemptuously calls it, not only feeds Iago’s ego but also leads Othello to be untrue to himself and obliterate everything he cherishes.

And this, in turn, raises questions of particular relevance today. In 21st-century America, the quest for openness, so often pursued in the name of democracy, can lead to the violation of a sacred democratic principle: the right to privacy. Reality television, for example, promises to pry other people’s secrets wide open, but in so doing has exposed the participants’ off-screen lives to endless scrutiny. So too, in the case of celebrities, the post-death excavation of secrets — for instance in the case of Michael Jackson — has become a gleeful shared ritual.

No wonder Ricky Gervais’ new movie, “The Invention of Lying,” has provoked an uneasy response. A comic portrayal of a world in which everyone tells the truth, all the time, the film seriously proposes that honesty is sometimes the most destructive policy.

Transparency can also be dangerous in the world of public policy, as the current health-care debate has shown. It is hard to remember a time when the specifics of any legislative process, let alone one so complex, have been so open to public scrutiny. The Obama administration was especially sensitive to accusations of secrecy, since the closed-door deliberations of the Clinton administration’s initiative is commonly believed to have doomed it in 1994.

Yet Mr. Obama’s decision to pull aside the curtain left the emerging proposals available “for daws to peck at” — the daws in this case being flocks of lobbyists, interest groups and assorted organizations that rallied opposition to health-care reform.

Or take the administration’s internal debate over Afghanistan. Gen. Stanley A. McChrystal’s public warning that the war might be lost if Mr. Obama rejected his call for 40,000 new troops gave the impression of divided and indecisive political leadership. In both cases, secrecy — or at least reticence —might have served the White House better.

This is not to say that Mr. Obama himself is universally credited with having a “free and open nature.” On the contrary, he is often accused of being a deceiver. Some conservatives say he is a “big-government” liberal, who, as a candidate, disguised himself in the sheep’s clothing of a centrist. Some liberals object that he won their backing by appearing to advocate policies — for instance, legalizing gay marriage — he has since backed away from.

Mr. Obama is not alone in treading the troubled new border separating transparency from secrecy. Last June, Gov. Mark Sanford of South Carolina used the word “honesty” to defend his marital infidelity. And the tear-stained spasms of Glenn Beck, the right-wing’s cable star of the moment, recall Iago’s emphasis on the importance of impressing observers with “heavenly shows” of sincerity.

This might be called opaque transparency. And it appears to be all the rage just now. David Letterman’s recent confession that he had sexual relationships with employees was woven so skillfully into his standard monologue that it seemed a new permutation in the theater of public openness, one in which an acknowledgment of misconduct was transformed into judgment-neutralizing entertainment. Here, too, Iago’s histrionics might be instructive. When Othello questions his veracity, Iago audaciously pretends to regret having been too candid. “Take note, take note, O world: To be direct and honest is not safe.”

The moral agony of “Othello” is, in fact, that its bone-chilling villain is the only character who is in possession of the play’s truth. Through his machinations, Iago demonstrates that directness and honesty are, indeed, not safe — and in fact never are — because the overly transparent victim sometimes invites the predator’s manipulations and so becomes complicit with him.

Honesty and transparency, Shakespeare’s great play suggests, are two different things. As Othello learns too late, the “ocular proof” of truth is not by any means the same as truth itself.

Lee Siegel’s most recent book is "Against the Machine: How the Web Is Reshaping Culture and Commerce — And Why It Matters."


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No Einstein in Your Crib? Get a Refund - NYTimes.com


Image by what gets me hot via Flickr
No Einstein in Your Crib? Get a Refund - NYTimes.com
October 24, 2009
No Einstein in Your Crib? Get a Refund
By TAMAR LEWIN

Parent alert: the Walt Disney Company is now offering refunds for all those “Baby Einstein” videos that did not make children into geniuses.

They may have been a great electronic baby sitter, but the unusual refunds appear to be a tacit admission that they did not increase infant intellect.

“We see it as an acknowledgment by the leading baby video company that baby videos are not educational, and we hope other baby media companies will follow suit by offering refunds,” said Susan Linn, director of Campaign for a Commercial-Free Childhood, which has been pushing the issue for years.

Baby Einstein, founded in 1997, was one of the earliest players in what became a huge electronic media market for babies and toddlers. Acquired by Disney in 2001, the company expanded to a full line of books, toys, flashcards and apparel, along with DVDs including “Baby Mozart,” “Baby Shakespeare” and “Baby Galileo.”

The videos — simple productions featuring music, puppets, bright colors, and not many words — became a staple of baby life: According to a 2003 study, a third of all American babies from 6 months to 2 years old had at least one “Baby Einstein” video.

Despite their ubiquity, and the fact that many babies are transfixed by the videos, the American Academy of Pediatrics recommends no screen time at all for children under 2.

In 2006, Ms. Linn’s group went to the Federal Trade Commission to complain about the educational claims made by Disney and another company, Brainy Baby. As a result, the companies dropped the word “educational” from their marketing. But the group didn’t think that was enough.

“Disney was never held accountable, and parents were never given any compensation. So we shared our information and research with a team of public health lawyers,” Ms. Linn said.

Last year, lawyers threatened a class-action lawsuit for unfair and deceptive practices unless Disney agreed to refund the full purchase price to all who bought the videos since 2004. “The Walt Disney Company’s entire Baby Einstein marketing regime is based on express and implied claims that their videos are educational and beneficial for early childhood development,” a letter from the lawyers said, calling those claims “false because research shows that television viewing is potentially harmful for very young children.”

The letter cited estimates from The Washington Post and Business Week that Baby Einstein controlled 90 percent of the baby media market, and sold $200 million worth of products annually.

The letter also described studies showing that television exposure at ages 1 through 3 is associated with attention problems at age 7.

In response, the Baby Einstein company will refund $15.99 for up to four “Baby Einstein” DVDs per household, bought between June 5, 2004, and Sept. 5, 2009, and returned to the company.

Lawyers in the matter refused to comment on the settlement.

Last month, Baby Einstein announced the new refunds — or “enhanced consumer satisfaction guarantee” — but made no mention of the lawyers’ demands.

"Fostering parent-child interaction always has and always will come first at The Baby Einstein Company, and we know that there is an ongoing discussion about how that interaction is best promoted,” Susan McLain, vice president and general manager, said in the statement. “We remain committed to providing a wide range of options to help parents create the most engaging and enriching experience for themselves and their babies.”

The founder and president of Brainy Baby, Dennis Fedoruk, said in an e-mail message that he was unaware of Baby Einstein’s refund announcement and could not offer further comment.

An outside public relations representative for Baby Einstein said there was nothing new about the refund offer.

“We’ve had a customer satisfaction guarantee for a long time,” she said, referring a reporter to the company Web site. However, Baby Einstein’s general “money-back” guarantee is only valid for 60 days from purchase and requires a receipt.

In contrast, the current offer, allowing parents to exchange their video for a different title, receive a discount coupon, or get $15.99 each for up to four returned DVDs, requires no receipt, and extends until next March 10.

“When attention got focused on this issue a few years ago, a lot of companies became more cautious about what they claimed,” said Vicky Rideout, vice president of the Kaiser Family Foundation. “But even if the word ‘education’ isn’t there, there’s a clear implication of educational benefits in a lot of the marketing.”

The Baby Einstein Web site, for example, still describes its videos with phrases like “reinforces number recognition using simple patterns” or “introduces circles, ovals, triangles, squares and rectangles.”

“My impression is that parents really believe these videos are good for their children, or at the very least, not really bad for them,” Ms. Rideout said. “To me, the most important thing is reminding parents that getting down on the floor to play with children is the most educational thing they can do.”




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I'D HEARD MOST OF THIS IN VIDEOS BUT IT'S A WHOLE DIFFERENT THING TO LISTEN TO IT TOGETHER...TRUST ME

- - luciano pavaroti david bowie & lou reed, bono, elton john, tom jones, pavarotti & more perfect day
Found at bee mp3 search engine

October 24, 2009

Bill Haley (1979-London) Me and Bobby McGee - Bill Haley (last show) Dailymotion




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Gittin Spooked Gits me hawt

Good ol' anonymous Dan, apparently a GlyphJockey regular reader, has returned with another splendid eclectic mix of Hallowe'en hits
Link at pickaxeinyourskull



Halloween Weak (VIDEOS - OVER 25) Greatest Halloween Videos of All Time From The 'What Gets Me Hot' visualguidanceltd.blogspot.com 10,000 Video Arc



Halloween Weak:
Greatest Halloween Videos of All Time
From
The Collection of
What Gets Me Hot 
on the 
One Year Anniversary
of Its Domain:
visualguidanceltd.blogspot.com





Knott's Berry Farm : PUKE: ANIMATRONIC SCARY MACHINE





OAK RIDGE BOYS: ELVIRA



Queen Dora: Witch's Egg : HALLOWEEN




RED SOVINE: PHANTOM 309: HALLOWEEN
PLEASE DON'T MISS
LAST FOUR EMBEDDED VIDEOS  
AND 
OVER 20 
APTURE VIEWABLE
VIDEO LINKS!
CLICK! 

Burn: Marlon Brando's Favorite Movie - Gillo Pontecorvo

ORLANDO, FL - AUGUST 14:  Celebrity impersonat...Image by Getty Images via Daylife
Burn
Civil Rights March on Washington, D.C.James Ba...Image via Wikipedia
Marlon Brando's Favorite Movie -
Cropped screenshot of Marlon Brando from the t...Image via Wikipedia
Gillo Pontecorvo
http://www.bennettauctions.com/2007/120207_posters2/185.Burn.jpg
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She claims to be the sister of the king of rock and roll and she believes Elvis Presley is still alive.



Elvis in 1970Image via Wikipedia
She claims to be the sister of the king of rock and roll and she believes Elvis Presley is still alive.
Eliza Presley was adopted at birth and says when she started a mission to find out who her biological parents were, she never imagined her journey would take her to Memphis.
ok-magazine-michael-jackson-death-photoImage by what gets me hot via Flickr
What stunned her even more was that after some DNA comparisons, Eliza said she learned she was not only related to Elvis Presley, she was his half-sister.

She claims DNA tests have confirmed she was fathered by Elvis’s dad, Vernon Presley. Even more astounding is that Eliza asserts the tests proving her relation to the king of rock and roll also proves he’s still alive.
She says her DNA was compared to a man claiming to be Elvis, who’s DNA just happens to match both sides of Elvis’s family tree.
"It just took my breath away and I looked at it and I said are you sure and he said oh yeah, there's no doubt about it. I said you have got to be kidding me, this person's my brother,” Eliza "[I] didn't expect it - not by a long shot."
Eliza took it to mean only one thing – Elvis lives.
"For him to turn out to be alive, it's such a blessing and I'm so grateful for that."
Today Eliza say she is thrilled to be able to talk to her brother she never knew she had, although she is not sure the public will ever see or hear from him again.
"I don't know if ultimately he will. I highly doubt it,” Eliza said. “He's tried to live as much of a ‘normal life’ as you can live over the last 32 years."
Eliza says the DNA profiles proving her relation to Elvis are currently under seal in court documents.
She filed a petition in August to have Vernon Presley officially acknowledged as her father.
Friday night Eliza was the featured guest at an Elvis Celebration at the Rib River Ballroom in Marathon.

Latest Comments
Posted by: christine Location: U.K. on Oct 24, 2009 at 12:04 PM

How I wish Elvis was still alive but quite honestly I don`t believe it. Would that mean then that ALL the people who have talked about Elvis` death are liars?

Posted by: Garrett Location: Unknown on Oct 24, 2009 at 12:02 AM

I am the lead Forensic Investigator/Coordinator on this case. People should know that Eliza is the real deal. We intended to find Eliza's father, and by default the DNA proved not only Eliza was the child of Vernon; but also half sister to a VERY ALIVE! Elvis Presley that gave his DNA. Dr. Hinton did not lie about treating Jessie aka Elvis. The DNA cannot be faked. Impossible. For the doubters, this isn't the only evidence we have. Nothing is instant. We are taking the steps to process the evidence. We have a bombshell! proof that shows- Elvis does live and is 74 and has to be very much alive. This is the real deal. No he doesn't want to come out, and no I'm not going to force him out into the public eye against his wishes. Please accept this he's 74 doesn't want the attention, has been used time & time again and frankly doesn't owe US anything. He served our country, established a new Genre in Rock n Roll, paid his dues. NOW he just want to be. Did Michael Jackson teach us anything?

Posted by: Observer Location: Somewhere Over the Rainbow on Oct 23, 2009 at 08:50 PM

I suppose it's possible that what this woman says is true. But in the end, it comes down to chain of custody. Did the matching DNA really come from Elvis who is still alive? How was it obtained (legally and with approval or surreptitiously and without approval)and so forth? I think if Elvis is still alive, he should be allowed to live out the rest of his life in peace. And we should respect such a decision rather than try to push the man back into the public. Even Elvis Presley has a right to privacy.
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(VIDEOS 4) Soupy Sales and Hullabaloo Dancers - The Mouse (3) and I'm Alright

"I'm Alright"
- Soupy Sales
and dancers -

demonstrate new dance called


"The Mouse"
First aired: 3/16/1965


--Georgie Fame and the Blue Flames - "Point of No Return" and "Yeh, Yeh"
--Roosevelt ('Rosie') Grier - "On Broadway"
--Serendipity Singers - "Let Me Fly" and "My Heart Keeps Following You"
--Sylvie Vartan - "I Made My Choice"
--The Detergents - "Double-O-Seven"
Sylvie Vartan (Herself), Mary Wells (Herself), Little Anthony and the Imperials (Themselves), Soupy Sales (Himself), The Detergents (Themselves), Georgie Fame (Himself), The Serendipity Singers (Themselves), Roosevelt Grier (Himself)
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