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December 17, 2008
Mouchette (última sequência de "Mouchette" ) Robert Bresson
Excerto (última sequência) de "Mouchette" de Robert Bresson
Monkees On Tour [4 SEPERATE SOLO PERFORMANCES FROM 1967 MONKEES ROCKUMENTARY!]
Peter Tork - Cripple Creek
Micky Dolenz - I Got A Woman
Mike Nesmith - Can't Judge A Book By Looking At The Cover
Davy Jones - I Wanna Be Free
MORWENNA BANKS: Absolutely: "Shopkeeper Fishing" [BBC 'MORWENNA OUT-BORAT'S BORAT, PRE-BORAT' {Series 2, Episode 7}]
Absolutely Series 2
Episode 7The school boy used to cause mischief to the local shop keeper, both in his shop and also when the shop keeper was relaxing such as in this sketch.Shop keeper: Gordon Kennedy.Even though the boy used to be a right pain to the shop keeper,he always used to say "sorry" at the end of the clip.
Boy: Morwenna Banks
Suicide Man: Moray Hunter
Absolutely fan site
http://www.absolutelyandy.com/absolut...
Absolutely DVD
BRILLIANT BOB DYLAN EBAY COLLECTION OF GIRLIE-STYLE BACKSTAGE PASSES AND LAMINATES FROM VAR. TOURS + Orig. Master Rec. - LAY LADY LAY
| Backstage Pass - Bob Dylan - Guest - 2004 Summer Tour | |||||
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| Backstage Pass - Bob Dylan - Support - 2005 Summer Tour | ||
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BOB DYLAN - CREW SATIN BACKSTAGE PASS (GREEN) - 2005 SUMMER NORTH AMERICA TOUR
Backsta ge Pass - Bob Dy
Backstage Pass - Bob Dylan - AA Tour Laminate - 2004
Backstage Pass - Bob Dylan - AA Tour Laminate - 2005
04 Summer Tour
Backstage Pass - Bob Dylan - AA Tour Laminate - 2004
Backstage Pass - Bob Dylan - Guest - 2001 (B)
Backstage Pass - Bob Dylan - AA Tour Laminate - 2006
Backstage Pass - Bob Dylan - Local Crew - 2002 Summer
A Fantastic One of A Kind Item. The tape you are looking at is an Original Master Recording of Bob Dylan done on February 14, 1969 at Columbia Studio A, Nashville, Tenn. The taping session was for Dylan's "Nashville Skyline" album. It is labeled "Bob Dylan # 3. This Original Master contains five never before heard out-takes of "Lay Lady Lay", along with banter between the musicians and Dylan. Also found on this session tape is an impromptu jam session of" Going Back To Chicago" which was also never released by Dylan. Here's your chance to own a piece of American Musical History. For sale here is the tape itself, not the intellectual property. The tape is in excellent condition, has been spliced in several spots (common practice). To hear actual sound bites from this tape and additional information go to Dylan Sound Bites & More. Please turn on ActiveX.
Dec-16-08 at 13:41:29 PST, seller added the following information:December 16, 2008
PLEASE NOTE THAT UPON ADVICE OF COUNCIL WE WILL NOT MAKE ANY COPIES OF THIS TAPE-PERIOD.
On Dec-17-08 at 04:53:12 PST, seller added the following information:FOR SOUND BITES ONLY, PLEASE GO TO: http://www.nycsightseeingessentials.com/dylan1.mp3 .
Gene Krupa: Leave Us Leap ["George White's Scandals" 1945]
Gene Krupa takes over the drums for a band and goes on a ride
Tenor Sax CHARLIE VENTURA"George White's Scandals"
Dogac Titiz: "Saba Tumer'le Bu Gece" [Drum Solo Contest-Winner - TV Turkey]
Dogac Titiz "Saba Tumer'le Bu Gece" Drum Solo
Modern DrummerUndiscoveredDrummer Contest winner Dogac Titiz on a tv show in Turkey
ELVIS + James Burton: Johnny B. Goode [Remastered 1972 ELVIS ON TOUR]
1972 ELVIS ON TOUR previously unreleased rehearsal outtake of Chuck Berry's cover sound remastered
MERRY CHRISTMAS!
Expert of Tchaikovsky The Nutcracker-Suite "Danae De la Fee Dragnet" (Dance of the Sugar Plum Fairy)
The Chicago Simpleton Orchestra with Sir George Soloist: Conductor
Fleetwood Mac [Peter Green]: Albatross + Man of the World + Oh, Well ['69 BBC]
Fleetwood Mac - Albatross
Fleetwood Mac, originally brought together by Peter Green, were a traditional blues band during the late 1960s, but their smash hit 'Albatross' had broader appeal.
'Albatross' and its follow up 'Man Of The World' were untypical of Fleetwood Mac's stage material, but made the band famous.Fleetwood Mac - Man of the World [Peter Green]
'Miss Dior Chérie': Sofia Coppola [model - Maryna Linchuk]
'Miss Dior Chérie': Sofia Coppola
Christian Dior: 'Miss Dior Chérie'
Directed by Sofia Coppola with model, Maryna Linchuk, and song "Moi Je Joue" - Brigitte Bardot
JUCK JOINT: The Rainbow aka H's [L.C. Hutchins - Hollandale, MS]
The Rainbow aka H's Club [L.C. Hutchins]
Robert Duval: Tender Mercies and Others
Robert Duval singing "If You'll Hold The Ladder (Ill Climb To The Top)
BY David Allan Coe"Betty Buckley from "Tender Mercies" singing "Over You"
Tender Mercies Clip
Charlie Rose: March 11, 1998
Back Door Santa: Clarence Carter + Candy Licker: Marvin Sease [audio: my double-sided holiday wish for all of my faithful lady blogettes]
"Back Door Santa"
by Clarence Carter
&
"Candy Licker"
by Marvin Sease
I'm not ashamed no more
I wanna do the thing
that your Lover
Never did before.
Baby, let me be
your Candy Licker, girl
I just wanna be
I'm not ashamed
I wanna be
Your Candy Licker, girl
Let me lick you up,
let me lick you down,
turn around baby,
let me lick you all around
Oh let me lick you, girl
like your lover should
Oh, baby
(oh oh oh)
Oh, honey
(oh oh oh)
I wanna lick you, girl
I wanna make you feel good,
like your lover should.
I wanna lick you till you cum.
I'm not lying, girl.
I just wanna be,
8 days a week,
your Candy Licker, girl.
I just wanna be,
8 days a week,
your Candy Licker, girl.
Spoken: You see, I'm Jody, baby.
And Jody ain't got no conscience.
Jody ain't got no pride.
But there is one thing I can say about Jody
Jody knows how to make a woman feel good.
Aint' that right, ladies? Ain't that right?
Jody will lick you up, woo!
he'll lick you down,
turn around baby,
let him lick you all around
Oh, let him lick you
Like your lover should.
Oh, baby
(oh oh oh)
Oh, honey
(oh oh oh)
I wanna lick you, girl
You know what?
I wanna make you feel good,
like your lover should.
I wanna lick you till you cum.
Uh huh.
Let me be your candy licker
I wanna be
I'm begging you
I wana be your candy licker
Spoken: Hey ladies, I wanna talk to you about most men.
When most mens cum, you know what, you think that
he give a damn whether you cum or not?
Baby I got news for you.
They don't give a damn whether you cum!
All they wanna do is go to sleep,
or smoke a cigarette.
But I'm Jody, baby.
I will lick you up,
I'll lick you down,
turn around baby,
And I'll lick you all around
Oh, I'll lick you good,
Like your lover should.
Like this.
(uh uh uh)
I'm gonna stick out my tongue now
You know what?
I wanna make you cum.
[ Marvin Sease Lyrics are found on www.songlyrics.com ]
I wanna make you feel good
I wanna lick you till you cum
I'm not lying girl.
Everybody say Uh uh uh!
Repeat uh uh
I wanna make you cum.
Let me be your candy licker, girl
Why cant I be--I'm beggin' you--
Your candy licker, girl?
Spoken: Now, here's another advantage Jody has on your husband. The husband HAVE to work, to pay the bills, baby. But check it out. Jody ain't got no job, baby! Jody ain't got no bills. While your husband is on his job, thinking about the bills, heh. You know where Jody is? Jody's at your house, givin' you a thrill. And I'm Jody.
Let me be,
I wanna be,
Your candy licker, girl!
Let me lick you up,
let me lick you down
turn around, baby
let me lick you all around.
oh let me lick you, girl,
Like your lover should
oh baby
Uh uh uh
oh honey
Uh uh uh
I wanna lick you girl
I wanna lick you in the morning. Uh huh.
And if that's all right with you baby-
You know what?
I wanna lick you in the evening
And if you really like the way I'm lickin you,
You know what?
I will lick you late at night.
Give me a chance
All I'm trying to do is prove my love to you, baby.
Mhm
oh baby
oh honey
I just wanna be
your candy licker girl
I wanna be
I'm beggin you
I wanna be your candy licker girl
Spoken: Now I got something I wanna ask everybody Do we have any Jody's in the house tonight? Come on, ladies, you don't have to be a man to be Jody, now Come on! You know what, honey, your man aint' going down on you, girl. Naw, because your man's got too much pride. You know, it's funny, I used to be like that too girl. And one day, my lady told me: "Marvin, you better get your shit together, man." And girl, I started going down. And ever since that day, I told my baby this
I wanna lick you up
I wanna lick you down
Turn around baby
I wanna lick you all around
Girl let me lick you good
like your lover should
Like this
oh oh oh
Get a lick girl
I wanna make you cum
Can I make someone cum right now
Can I, please?
Let me make you cum
like your lover should
I wanna lick you till you cum.
Spoken: all you ladies who got those sorry ass men out there, the ones that don't wanna go down. You better get rid of them motherfuckers. You know why? so you can feel good, girl. Like you should. Yeah, I used to be like that. Ashamed to go down. You know what I once said? "I ain't puttin that shit in my mouth" But i got hip girl. Yeah i told my baby this
You know what I told her. I told her
I'm your candy licker (2x)
Oh oh oh Woo
Oh oh oh
I wanna make you cum
Spoken: You know what I like about Jody
Jody won't sleep, oh no,
until he make you cum
Spoken:You know some women are hard to cum
But i like this about Jody
Jody will lick,
oh oh ohoh,
Until he make you cum.
White Stripes: Screwdriver + Your Southern Can Is Mine [ck]
the White Stripes playing Screwdriver and Your Southern Can Is Mine...
¡Vampiros en La Habana! [CUBA Pts. 1-8] MY FAVORITE CARTOON!
DVDDIBUJOS ANIMADOS
Direccion: Juan Padron
Un cientffico vampiro viaja a Cuba con su pequeño sobrino, despues de fracasar en Europa con sus experimentos sobre una f=rmula que permita a los vampiros resistir el sol. ENGLISH SUBTITLES Color, 75 Minutos.Esto seria un gran regalo de Navidad.
¡Vampiros en La Habana! (English title: Vampires in Havana) is a Cuban animated film from the mind of Juan Padrón. Originally released in 1985, the film was promoted as an adult animation in the US. The tagline was "Not since Fritz the Cat has there been such a freewheeling sexy cartoon romp!"
The film features trumpet performances by the legendary Arturo Sandoval.
A sequel to the film was released in 2003 called Más vampiros en La Habana.
SINOPSIS
Un científico vampiro ha creado una pócima revolucionaria, el Vampisol. Este elixir permite a los vampiros realizar algo para ellos hasta entonces imposible, pasear bajo la luz del Sol. En cuanto la noticia llega a oidos de los grandes clanes de vampiros, todos viajan a La Habana para hacerse con el control de la fórmula. Los estirados y siniestros vampiros europeos, y los mafiosos vampiros norteamericanos. Pepito, un trompetista sobrino del creador de Vampisol será perseguido por ambos grupos desde que se le encarga la custodia de la fórmula.
Comentario:
Entrañable producción de animación, realizada como una coproducción entre Cuba, España y la entonces República Democrática Alemana. Uno de los pocos films de animación realizados en España hasta aquellas fechas (la pequeña industria española de animación apuntaba más hacia la producción televisiva). Con la colaboración de artistas cubanos como el trompetista Arturo Sandoval (que puso su arte al servicio del personaje principal) y mucho, mucho humor, Padrón firma un film de culto entre los aficionados hispanos al género fantástico y a la animación. El director llevaba años en el cómic, y la oportunidad de realizar la película le surgió a raíz de su trabajo en la serie animada Filminutos, que igualmente mezclaba humor con personajes fantásticos o siniestros.
Joseph Amadeus Dracula is a trumpet player who spends his time away from the bandstand dabbling in quasi-terrorist plots to overthrow the Cuban government. Unbeknownst to him, he is a vampire, and his uncle has been using him as a test subject for a potion that negates the usually fatal effects of sunlight.
Meanwhile, a Chicago-based vampire crime syndicate and a vampiric European Union of sorts both have learned of the formula and wish to possess it towards different ends—the Chicago group to suppress it and thus maintain their monopoly on indoor, artificial beach resorts, and the Europeans to market it as "Vampisol." When Dracula learns of his true heritage (and his uncle's wish to give the formula away to vampires everywhere) he becomes the target of a multi-pronged manhunt, leading all parties involved on a wild chase through some of the seediest neighborhoods of Havana.
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December 16, 2008
SEX PISTOLS INVADE THE SOUTH: ATLANTA, MEMPHIS, SAN ANTONIO, AND MY HOMETOWN, BATON ROUGE, THEN DALLAS! [1978 NEW VIDEO]
Great Southeast Music Hall
ATLANTA, GA
http://www.lijit.com/search?uri=http%3A%2F%2Fwww.lijit.com%2Fusers%2Fmrjyn&q=SEX%20PISTOLS&type=blog
http://www.123video.nl/playvideos.asp?MovieID=145193
"I thought you were all cowboys down here," said Rotten as he waited for Steve to tune up. "Well my name's John, and this is the Sex Pistols." With that, the band ripped into "God Save the Queen," introducing the Georgia crowd to British punk. "See what kind of fine, upstanding youth England is chucking out these days?," Johnny said about himself and his band. "You can all stop staring at us now. We're ugly and we know it."
"Johnny Rotten's stare was demonic, his expression sneering, and his shoulders ominously hunched," reported Tony Schwartz in Newsweek. "Sid Vicious, pasty-skinned and anemic-looking, seemed more catatonic than cantankerous, rousing himself only to blow his nose stage right. Guitarist Steve Jones and drummer Paul Cook looked clean-cut enough to have played in the '50s style band that opened the show."
Overall, the first show of the tour was seen as a disappointment. Steve's guitar refused to stay in tune, and his playing was less than spectacular. Johnny sang most of lyrics during the wrong parts of the songs, and he occasionally resorted to muttering. During "Anarchy in the U.K.," he asked the audience, "Do any of you know the words?" The crowd also remained quite contolled, nothing compared to what was in store for the Pistols later in the tour. To some, the show represented exactly what punk was all about: raw and vulgar rock 'n' roll, played with plenty of volume and little musical skill. Others couldn't understand how this band spearheaded a musical revolution.
Set list:
God Save the Queen, I Wanna Be Me, Seventeen, New York, Bodies, Submission, Holidays in the Sun, EMI, No Feelings, Problems, Pretty Vacant, Anarchy in the U.K.
Friday, January 6, 1978
Taliesyn Ballroom
MEMPHIS, TN
Over 900 tickets were sold for the Memphis gig. Unfortunately, the ballroom's full capacity was only 725. A small riot ensued outside the venue when fans were denied seeing the Sex Pistols.
Sid went on a search for drugs hours before the band was supposed to play, and the show was delayed. When they did go on about 11 PM, the band gave an average show with minimal violence and verbal abuse. "I hear you all listen to Dolly Parton down here," John Rotten remarked. "Are you still celebrating Elvis's birthday?" During the show, audience members began throwing various objects onstage. Johnny responded: "I'm not here for your amusement, you're here for mine. So behave yourself and don't throw things at me. I don't like it."
Dave Schulps gave the performance a glowing review in Sounds. "The Sex Pistols gave what I consider one of the best rock 'n' roll shows I've ever seen. Most of the audience seemed to agree, reacting wildly to every move they made. Johnny Rotten leered manically into the mass before him and danced spasmodically, at times resembling a chimp swinging from vine to vine. Sid Vicious constantly spat on the stage and occasionally jumped up like a kewpie doll in shock treatment. A few shook their heads and left quietly. There was no violence. Not a single person was injured... or corrupted."
At the end of the show, a SWAT team invaded the ballroom to control any possible outbreaks of violence. Again, a relatively controlled show, downright tame compared to the next performance.
Interestingly enough, the Taliesyn Ballroom is now a Taco Bell.
Set list:
God Save the Queen, I Wanna Be Me, Seventeen, New York, EMI, Bodies, Belsen Was a Gas, Submission, Holidays in the Sun, No Feelings, Problems, Pretty Vacant, Anarchy in the U.S.A., No Fun
Sunday, January 8, 1978
Randy's Rodeo
The band arrive in San Antonio to play Randy's Rodeo, a ballroom that has sold out its 2,200 capacity.
As soon as the band take the stage, they are
pelted with
beer cans, hot dogs and popcorn. This former bowling alley was packed with 2,200 rowdy Texans waiting to see what this thing called "punk rock" was all about. The Sex Pistols broke the rule that "if you're gonna play in Texas, you gotta have a fiddle in the band." Both band and audience were prepared for war.
The band gave their most spirited performance of the American tour in San Antonio. Johnny took the stage wearing a T-shirt depicting two homosexual cowboys, and Sid greeted the crowd with some very unkind remarks. The audience hurled anything onstage that they could get their hands on. Items of choice were spit, popcorn, beer cups, cans, hot dogs, whipped cream, bottles, and pies.
Steve and Paul did their best to hold the show together while Sid and Johnny took every possible opportunity to insult and infuriate the crowd. Sid removed his leather jacket to reveal "Gimme a Fix" scrawled on his chest. Johnny blew snot at the people in the front row, snarling and screaming his vocals the whole night. Steve promptly broke a string during the first number, and he later used his guitar as a weapon against threatening audience members.
The audience fought amongst themselves, and one heckler decided to go after the band. He started yelling at Johnny, but John ignored him. The heckler decided to antagonize the next easiest target, Sid. When Vicious was hit in the face with a can of beer, the man mocked him. During the last seconds of "New York," Sid unstrapped his bass and attempted to club him over the head, hitting a Warner executive instead. The lights went off and the show was delayed for several minutes,
while the cowboy is taken away by police.
He later denounces the Pistols as "sewer rats with guitars" on TV.
As the Rodeo's manager took the stage and asked those in attendance to stop throwing things at the band, Steve attempted to tune his (and Sid's) guitar, producing an ominous drone. The crowd became restless. One burly-sounding man yelled, "Let's hear some rock 'n' roll!" Order was restored and the Pistols continued the set. After being escorted out of Randy's, the heckler said, "I don't like what they stand for. They are just sewer rats with guitars." Later in the show, Sid was hit hard enough to receive a bloody nose. With no demand for an encore, the band completed their set with "Anarchy in the U.S.A." and left the stage. Johnny Rotten topped off the evening by meeting with the local press and calling the audience members "statues."
The next day, the local paper read:
"Sex Pistols win the San Antonio Shoot-Out"
Set list:
God Save the Queen, I Wanna Be Me, Seventeen, New York, EMI, Holidays in the Sun, Bodies, Belsen Was a Gas, Submission, No Feelings, Problems, Pretty
Monday, January 9, 1978
Baton Rouge, Louisiana
The Kingfish
During their show at Baton Rouge, Louisiana's Kingfish Club, Vicious starts to have sex with a
New ORLEANS PUNK Girl who gets on stage. The crowd showers the band with money!
Sid even got some play from a female fan during "New York."
Most of the audience seemed fairly interested in the Sex Pistols' music, and "EMI" even uninspired sing-along.Nonetheless, apathy plagued the band. Steve seemed particularly bored tonight,
introducing the songs without a shred of enthusiasm. The put-downs exchanged between Sid and members of the crowd sounded forced. Instead of throwing food and trash, the audience threw money.
After getting hit with a handful of coins, John said, "If you're gonna throw money, throw dollar bills."
During the encores, Sid and Johnny collected over 15 dollars.
The show was all about spectacle; music was secondary.
Kingfish Set list:
God Save the Queen, I Wanna Be Me, Seventeen, New York, semi bodies, Nelsen Was a Gas, Submission, Holidays in the Sun, No Feelings, Problems, Pretty Vacant, Anarchy in the U.S.A., No Fun, Liar
Although there was still verbal warfare between the audience and the band, the performance at the Kingfish fished FOR more THAN The night before. 
Tuesday,January 10, 1978
Longhorn Ballroom
Dallas, TX
SEX PISTOLS: LONGHORN BALLROOM (DALLAS: 1.10.78 - 22 min. Whole Show by Mrjyn)
"They said no one could be more bizarre than Alice Cooper, or more destructive than Kiss...They have not seen the Sex Pistols. Tuesday night, Stone City Attractions presents live, the Sex Pistols. Banned in their own home country, England's Sex Pistols, denied admittance to the United States, the Sex Pistols bring the new wave to the Metroplex this Tuesday night, in the Longhorn Ballroom. They said it couldn't happen, but it happens Tuesday night: the Sex Pistols, live."
--Dallas Radio Promo, 1978
Tuesday,January 10, 1978
DALLAS, TX
Longhorn Ballroom:
Set List:
God Save the Queen:
By this point, Sid's receiving most of the attention onstage. Other members of the band are getting fed up with his narcissistic attitude. Before the show, Steve threatens to punch him for focusing on himself and not the music.
I Wanna Be Me:
Sid hits the bottle hard before the show. Being in Texas again, he and Johnny mock the "Cowboys" in attendance. About half of the 1,800 in the crowd are fans; the other half are Country & Western fans defending their territory against these British punks.
Seventeen:
John wears an ugly pink shirt and black glove for most of the show, while Steve wears all black, including boots, spurs, and a Sheriff's star.
New York:
Although he contributes nothing musically, Sid knows he's stealing Johnny's limelight, which is more important to him.
Bodies:
Belsen Was a Gas:
With "Gimme a Fix" on his bare chest, Sid barely played his bass and seemed more interested in jumping around instead of performing music. Plastic cups and other assorted objects flew toward the stage for the duration of the performance. (No glass bottles were sold.)
belsen was a gas
Holidays in the Sun:
holidays in the sun
At the end of "Holidays in the Sun," Sid gets head-butted by an overzealous woman and receives a bloody nose. Instead of wiping up the mess, he lets the gore flow down his torso. After smearing it on his face, he spits into the crowd, yelling off-mic and over the din,
"All cowboys are queer!"
No Feelings:
Johnny remarks, "Look at that... a living circus."
Problems:
There are about 100 police on hand.
Pretty Vacant:
During "Pretty Vacant," Sid takes a broken bottle and carves his chest. He removes the pus-soaked bandage from his arm and throws it into the crowd. The other band members continue the show. With his newly carved chest, Sid isn't playing bass as much as using it, while jumping around and staring, like the heroin-deprived, schnapps zombie he now is.
Anarchy in the U.S.A.:
anarchy in the usa
After a blistering version of "Anarchy in the U.S.A.," the band left the stage, and, surprisingly, the crowd yelled for more. As the band reappeared for an encore, Sid showed the audience an obscene gesture and Steve yelled,
"You must be mad to want more of us!"
No Fun:
In the middle of "No Fun,"
Steve confronts a heckler by throwing a couple punches and jabbing him with the headstock of his guitar.
The next morning, the Dallas newspaper read:
"Most of the people last night came to see the people who came to see the Sex Pistols."
*I was a 15-year-old 11th grader when the Sex Pistols came to Baton Rouge, the day before this concert in 1978.
There is no video of The Kingfish Show [But you can read 'Six Days on the Road'], although I'm still looking. [I'm also desperately looking for the Sex Pistols, Kingfish T-shirt. If you have one, LET ME KNOW.]
Local bands in Baton Rouge [The Shitdogs and mine, Jett Rink and the Solar Skates] were just starting to 'be PUNK.'
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The Monkees: "Ríu, Chíu"
Closing credits (3:35) show source of this song: 1964 recording by Modern Folk Quartet, all of whom were later affiliated with Monkees:
Henry Diltz (Monkees' photographer),
Chip Douglas (Monkees' producer),
Cyrus Faryar (cut Zodiac album with Monkees' synth wiz Paul Beaver)
and
Jerry Yester (produced Monkees' friend Tim Buckley).
Riu riu chiu, la guarda ribera;Dios guardo el lobo de nuestra cordera,
Dios guardo el lobo de neustra cordera.
El lobo rabioso la quiso morder,
Mas dios poderoso la supo defender;
Quisola hazer que no pudiese pecar,
Ni aun original esta virgen no tuviera.
Riu, riu chiu...
Este ques nacido es el gran monarca,
Christo patriarca de carne vestido;
Hemos redemido con se hazer chiquito,
Aunquera infinito, finito se hiziera.
The Monkees
acappella
[PORTUGUESE]
Christmas
"Ríu, Chíu"
+
Christmas Message
from
Cast and Crew
English Translation: